Notice and Wonder

Sometimes you discover a great blog, only to learn that the authors have just posted their final article. At least, in this case, the posts are archived by a professional association, and in searching through said archive, you find a gem. Such is the story of The Teaching Tidbits Blog, hosted by the Mathematical Association of America.

Black and white line drawing of the upper torso of a young male in a thinking pose. Two question marks are on either side of his head.The gem of a post is The Exercise with No Wrong Answer: Notice and Wonder (April 18, 2018) written by May Mei, Assistant Professor of Computer Science and Mathematics at Denison University. Mei asks: “How often have your students said nothing rather than risk saying something wrong? And how often in our own writing are we so paralyzed by the fear of imperfection that we end up writing nothing at all?” The solution is an exercise called Notice and Wonder, which “has no wrong answers.” The concept is to present students with an idea, which could be in the form of a drawing, diagram, graphical presentation, image, video clip, a sentence written on the blackboard, etc., and ask students what they notice about it. After students have explored the possibilities, they are asked what they wonder about it. Mei states: “This provides opportunities to discuss what is still unknown and puts all students on equal ground-everyone can wonder about something. Because there are no wrong answers for either of these questions, all students can participate in the activity.

Notice and Wonder exercises allow students to brainstorm ideas and explore a problem before attempting to find a solution or uncover meaning. These activities can be used in-class, but the concept is flexible enough to be adapted to online discussion board threads or outside-of-class group work. Mei uses it as a way to help her students review for exams. “If my students have an upcoming exam, I will use the class period before as review, and sometime before that review period I ask each of my students to email me one thing they noticed and one thing they’re still wondering about. Just before class on the review day, I put all the students’ Notices and Wonders into one document and distribute it to the class. As I’m making this document I’m able to recognize themes and repeated observations or questions and can focus on those during the in-class review.”

Many of the examples of these activities revolve around mathematics, and/or are directed at the K-12 population. But as creative thinkers, it is easy to see that this is an idea that can be expanded to any discipline or age group. A video by Annie Fetter, on staff at Math Forum (which is now part of National Council of Teachers of Mathematics), is often cited in articles on Notice and Wonder. It is directed at K-12 teachers, but demonstrates the concept in a way that will be useful to anyone considering using Notice and Wonder exercises. See Ever Wonder What They’d Notice (5 minutes).

Notice and Wonder activities involving data visualizations and images can help students develop interpretive, critical thinking, analytical, and visual literacy skills. The New York Times offers two resources: What is Going on in This Picture and the more recently launched What is Going on in This Graph. Of the latter, the Times says: “The content and statistical concepts will be suitable for most middle and high school students. Often, we’ll strip it of some key information, then ask students three question — inspired by Visual Thinking Strategies, but anchored in math and statistics thinking: • What do you notice? • What do you wonder? • What’s going on in this graph?” Again, these platforms are directed towards a K-12 audience, but looking at the examples may inspire you to conceive examples that will be relevant for your college-age students.

Have you used Notice and Wonder exercises in your class? If so, please share your experience in the comments.

Macie Hall, Senior Instructional Designer
Center for Educational Resources

Image Source: Image from Pixabay.com

 

Two Keynotes – Part 1

In the past few weeks I’ve attended a couple of professional meetings, a three day Visual Resources Association (VRA) conference in Milwaukee, and a half-day symposium, Peer to Peer: Engaging Students in Learning and Assessment, sponsored by colleagues in the Center for Teaching and Learning at the Johns Hopkins School of Public Health (JHSPH). Both meetings packed a lot of valuable information into the sessions and had enlightening keynote speakers.

Screen shot from home page of the Visual Thinking Strategies websitePhilip Yenawine, Co-Founding Director, Visual Thinking Strategies, gave the keynote address at the VRA conference. He opened with an active learning exercise where he had the audience examine an image of John Singer Sargent’s Madame X and make statements about what we saw.  I should note that the Visual Resources Association is “a multi-disciplinary organization dedicated to furthering research and education in the field of image management within the educational, cultural heritage, and commercial environments” so many of the attendees examine art-related images on a daily basis, and were, perhaps, a bit better practiced at the exercise than average.

Yenawine states: “Of the vast array of images available to us, art tends to be the most complex and as such gleaning meaning from it – in its many manifestations – is a challenge. Frustrated when data revealed visitors learned little from the many educational interventions offered by [my] talented staff at New York’s Museum of Modern Art, [I] turned to Abigail Housen, a scholar who studied “aesthetic thought”– how people use what they know when looking at art – to try to determine and remedy the problem.” [http://www.vraweb.org/conferences/vra32/wp-content/uploads/2013/07/VRAProgram2014final.pdf]

Yenawine and  Housen created a method they called Visual Thinking Strategies, and began introducing VTS into schools seeking to improve aesthetic development. “In longitudinal research studies, it was shown that, in addition to developing visual thinking, VTS programs promote creative and critical thinking skills. [Housen’s] research also demonstrated that students’ application of these crucial 21st century skills transfer to other subject areas across the academic curriculum.” [http://vtshome.org/pages/research]

Yenawine reported in his presentation that VTS discussions of art can be used to teach language, thinking, and social skills, but equally important is the development of visual literacy – defined as the ability to interpret, negotiate, and make meaning from information presented in the form of an image.

So why is this program, designed for implementation in the K-12 sector, important for those of us in the Higher Education realm? In October 2011, the Association of College and Research Libraries (ACRL) introduced the Visual Literacy Competency Standards for Higher Education stating “[t]he importance of images and visual media in contemporary culture is changing what it means to be literate in the 21st century. Today’s society is highly visual, and visual imagery is no longer supplemental to other forms of information. New digital technologies have made it possible for almost anyone to create and share visual media. Yet the pervasiveness of images and visual media does not necessarily mean that individuals are able to critically view, use, and produce visual content. Individuals must develop these essential skills in order to engage capably in a visually-oriented society. Visual literacy empowers individuals to participate fully in a visual culture.”

In other words, it is never too late to become visually literate, or to think about how improving your student’s visual literacy might have a positive effect on their learning more generally.

The next post will highlight the keynote speaker from the Peer to Peer symposium.

Macie Hall, Senior Instructional Designer
Center for Educational Resources
Johns Hopkins University


Image Source: Screen shot from http://vtshome.org/