Lunch and Learn: From Plato to Pixar – Using Storytelling Frameworks to Drive Learner Engagement and Improved Outcomes

Posted on October 24, 2024 by abrusini

On Tuesday, October 8, 2024, the Center for Teaching Excellence and Innovation (CTEI) hosted the first Lunch and Learn of the Fall 2024 semester. Brian Klaas, Assistant Director for Technology and instructor at the Bloomberg School of Public Health, presented: From Plato to Pixar – Using Storytelling Frameworks to Drive Learner Engagement and Improved Outcomes. Caroline Egan, Teaching Academy Program Manager, moderated the presentation.

Brian Klaas opened the presentation by highlighting the valuable role storytelling plays in the classroom. While sharing facts is essential, building a narrative around those facts provides the context that gives them meaning. When we teach, we enact a narrative; we are telling a story. Stories help students connect abstract or complex ideas to real-world applications, making the content more relatable and engaging. Students are more likely to recall and retain information that resonates with them on some level. Storytelling also encourages students to think critically as they analyze characters, events, and outcomes, which can deepen their understanding of the material.

Klaas went on to describe the four cornerstones of narratives and encouraged audience members to think about how they might apply them to their teaching:

Conflict: What problem are we trying to solve? What are we trying to overcome? What stories as a presenter can I frame through conflict? Conflict gives us drama and tension.
Character: How can you draw people into your lectures or stories? We need facts and data, but we also need to engage with the emotional part of the brain. There are many opportunities to include characters/people into your data – including yourself!
Segmenting: Organizing and chunking information, such as chapters in books, acts in plays, etc., gives our presentation a logical flow. We present one idea at a time, declare why it’s important, before moving on to the next one. Segmenting gives us a sense of moving forward.
Reflection: What does this mean to me? Why is this important? As educators we can incorporate reflection into our teaching in various ways, including think-pair-share, self-assessment, journaling, etc.

Klaas acknowledged that it can be difficult to make the shift from sharing facts to telling stories. He introduced the audience to two storytelling frameworks that can help with this process: the Hero’s Journey and the Pixar Framework.

The Hero’s Journey is a popular template that follows the adventures of a hero who faces some sort of conflict, overcomes various obstacles along the way, and eventually emerges victorious. In the process, the hero is transformed in some way, embracing newfound knowledge and lessons learned. Examples of stories that follow this template include: The Lord of the Rings, Harry Potter, and Star Wars. Originally 12 steps, The Hero’s Journey template can be divided into 3 main acts:

Departure/Separation: Where do things stand? This act presents the background, the current cultural context, followed by an event that pushes the hero to begin the journey.
Initiation: What went wrong? What is the issue? Why can’t we move forward? This act explores the series of challenges faced by the hero that help to create tension and conflict.
Return: What lessons did we learn? Why does this matter? This act shows what was learned and how the world is changed, why it is meaningful.

Klaas gave an example of a Hero’s Journey story:
He told the audience about one of his former students who traveled to Nigeria to study that country’s waste disposal and sewage system. While there, she noticed a woman repeatedly leaving her hut to go out into the grass. When the student asked why, she was told that the woman recently had a baby, was having some problems, and wasn’t able to engage with the community. The student learned that the woman experienced an obstetric fistula, a serious complication of childbirth that causes women to suffer incontinence, shame, and social segregation. The student went to community leaders and tried to explain to them that this is common, that the woman just needed proper care. The leaders rejected her plea. For the student, this was a lesson in cultural humility. She learned that local hospitals are not equipped to deal with this issue. This encounter led to her to shift her studies to help women deal with this problem. She ended up working on a project to help women in this region.

Klaas noted that the hero does not have to be a person – it could be a cell, for example – and that this framework could be a powerful way to present research to the world.

The Pixar framework, which forms the foundation of animated Pixar films, such as Finding Nemo and Toy Story, uses the following format:

Once upon a time… (context of the world)
And every day… (everyday life in that world)
Until one day… (incident that launches the story)
And because of this… (the character’s journey)
And because of that… (new journey the character takes)
Until finally… (resolution of the story)

This framework can be applied to a number of different areas, such as literature, health sciences, and history. It can be used to tell a story about why things fail or why things change – it doesn’t always have to be a success. Klaas gave the example of how this format could be applied to narrate a problem such as antibiotic resistance:

Once upon a time… You get an antibiotic every time you go to the
doctor
And every day… Antibiotic-resistant bacteria are on the rise,
and here’s the data to prove it!
Until one day… Strategy for reducing antibiotic
overprescription and sparking new research
And because of this…Reduction in antibiotic-resistant microbes;
increase in funding for new antibiotic research
And because of that… Better health outcomes for people; better
incentives for private research
Until finally… Generations of new antibiotics without living
in fear of paper cuts killing us

Audience members were asked to share their ideas of how they might use this framework in their courses: One guest suggested using the framework to share research findings about high cholesterol with students in a concise manner. Another guest suggested using it to describe the history of drunk driving and the evolution of the breathalyzer test, leading to the development of a handheld alcohol detection device. And another guest suggested using it to talk about climate change in order to facilitate discussion.

The presentation wrapped up with a brief Q and A session:

Q: How vital is it to center our teaching around one protagonist as opposed to many? BK: Use storytelling where you can. It’s hard to use all the time, but having context makes it relevant. Always look for meaning, something that will be remembered down the line.
Guest: It helps when trying to make data meaningful. Seeing the story of one person works well. Sometimes too many people [as protagonists] is overwhelming, it becomes abstract. But sometimes showing the numbers affected [in terms of data] can be very powerful.

Q: Students have to write personal narratives for their medical school applications; they try to present themselves as the perfect candidate. Do you recommend using storytelling here?
BK: Yes, you can use storytelling in an application. Storytelling comes from written form, so yes, it will work in writing. My son is in the process of writing his college essays – he’s using the Pixar model right now. It made it easier on him to tell the story once he had a backbone.

Q: Could storytelling be used to help students solve math-based problems? Do you see this?
BK: I haven’t used it this way, but a colleague used it to share complicated math and statistics results from his research. I can see it working, through logical proofs. You don’t have to use the whole Pixar framework – you can use 4 of the 6 steps, for example, to make it work for you.

Amy Brusini, Senior Instructional Designer
Center for Teaching Excellence and Innovation

Image source: Lunch and Learn logo, Writer’s Digest, Disney/Pixar

The Teaching Fellows Project: Community-based Learning in Baltimore City Schools

Posted on July 15, 2024 by abrusini

[Guest post by Katharine Noel, Associate Teaching Professor, Writing Seminars, Johns Hopkins University]

As a grad student, I was given three days of teacher training before being thrown into a classroom. This was a composition class with fifty first-year students. My pedagogical training – if you can call it that – included how to grade on a curve and how to confront cheating and plagiarism without using the words “cheating” or “plagiarism,” a dodge that would supposedly protect the university from lawsuits. The focus on school protocols implied that teaching itself would be straightforward. After all, as grad students, we were working at advanced levels; shouldn’t imparting a simplified version of our subject be easy?

Without any real idea of how to convey my “expertise,” I thought back to my own professors. I wanted, of course, to emulate the best of them, teachers who’d connected with their students, creating excitement while at the same time expressing warmth and engagement. And yet I’d learned just as many lessons – possibly more – from the ineffective teaching I’d observed: the professor who was charismatic and funny but seemed more concerned with making the students adore him than helping them engage with the subject. Or the one who started discussions with questions so long and complicated – filled with backtracking, amendments, and counterarguments – that by the time she was finished, students had no idea what they were meant to discuss. Teachers who seemed dismissive or defensive. Teachers too rigid to pivot; teachers too lax to have an overarching plan.

The Teaching Fellows and WBS mentors outside of a building in Baltimore.

The Teaching Fellows and WBS mentors on a teaching field trip to Baltimore Youth Arts, a creative entrepreneurship and job training program focusing on young people involved in the justice system

Recently, I’ve been reminded of this early teaching experience. At Hopkins, I teach in The Writing Seminars department. In addition to standard creative writing courses, for the last five years I’ve taught a community-based learning class in partnership with the nonprofit organization Writers in Baltimore Schools (WBS), founded by Hopkins alum Patrice Hutton. Thanks to a grant from CTEI, this past year we expanded the class to become the year-long Teaching Fellows Project.

The Teaching Fellows – twelve undergraduates chosen by application from across KSAS – lead weekly creative writing groups in under-resourced elementary and middle schools across the city. The class they take with me provides training and support, as well as the opportunity to work closely with WBS mentors. We study topics like student-centered pedagogy, educational equity, and the social and political context in which Baltimore schools operate. Writers in Baltimore Schools provides curriculum for teaching elementary and middle-school writing groups, but near the end of the year, each Hopkins student creates, teaches, and revises an original lesson plan based on the interests and needs of their students.

A guest lecture by Ms. Araba Maze, founder of Storybook Maze, which aims to increase book access in Baltimore’s book deserts

The CUE-2 final report stresses the importance of community-based and applied learning, stating that “we should aspire to transform the college experience from one composed solely of traditional elements – lectures, papers, problem sets, and exams – to one in which these elements sit amid a much broader range of learning activities.” The Teaching Fellows Project is designed to provide this kind of community-based and applied learning opportunity, connecting academic theory to real-world impact. Students bring what they learn in our classroom to their worksites, and bring what they learn in their worksites back to our classroom. Knowledge gained from meaningful engagement in the community is deepened by the knowledge gained through reading, discussions, and guest lecturers, and vice-versa. At times, it all feels very meta: as I teach students to teach, I also point out the techniques and tactics I’m using as a teacher; as students encounter challenges at their worksites, I adjust my curriculum to address those topics that feel most relevant and vital.

One of the first exercises the Teaching Fellows do, based on my own early groping for models, is to think back to their best teachers and try to isolate what made them so effective. Some of these “teachers” are the ones they had in classrooms; others turn out to be coaches, bosses, ministers, co-workers, or relatives. The next week, we repeat the same exercise by discussing frustrating learning experiences. The complicated interwoven skills of teaching can be most visible when they work together imperfectly, since excellent teachers achieve a kind of magic that means – as with any magician – their moves can be too deft to make out.

My scant training as a grad student seemed predicated on the idea that teaching could and should be easy. What the WBS mentors and I try to convey in The Teaching Fellows Project is very different: that teaching is often hard, confounding, overwhelming, and awkward – as well as thrilling, meaningful, revealing, and joyous. It can even – at rare moments – feel nearly effortless.

Katharine Noel
Associate Teaching Professor, Writing Seminars
Johns Hopkins University

Prior to coming to Johns Hopkins, Katharine Noel was the Writer in Residence at Claremont McKenna College (2009 to 2013). From 2002-2009, she was a Jones Lecturer at Stanford University, where she held Wallace Stegner and Truman Capote fellowships in 2000–2002. Before teaching at Stanford, she worked for two years at Gould Farm, a program in the Berkshire Mountains for adults with mental illnesses, and for four years at an Oakland, California shelter for women and children experiencing homelessness. At Hopkins, in addition to teaching fiction writing, she directs The Teaching Fellows Project.

Image Source: Writers in Baltimore Schools

Facilitating Difficult Conversations during Class

Posted on October 18, 2023 by abrusini

As a faculty in sociology, I often teach content about which people have strong opinions. For instance, public debates about the changing use of pronouns and Florida’s “Don’t Say Gay Law” are a good opportunity to apply theories on the social construction of gender and sexuality but can be flash points for students. Discussions about structural racism can be challenging when your classroom includes students hailing from diverse countries with different histories of acceptance or oppression. I also encourage students to bring current events into our discussion to exemplify concepts in class, but again, students may hold different opinions on those events. In this post, I share strategies I use or learned from others about how to facilitate conversations about sensitive or politically charged topics.

Ground Rules

Ground rules can be the foundation for facilitating respectful conversations that also help students feel more comfortable participating. Ideally this is done at the start of the semester but can be done during the semester if current events require it.

I set the tone in my class by stating on the first day that “We can attack ideas in this class, but not people.” I explain there is a difference in critiquing an argument versus dismissing someone’s point or groups of people more broadly. It can also help to give examples in your discipline of both productive and unproductive critiques.

Below are ground rules I use, but it can help to search online for additional ideas. Involving students in co-creating these rules is an excellent practice as it generates buy-in and motivates their acceptance of and adherence to guiding principles. Displaying these recommendations prominently in your Canvas site or distributing them to students is a good idea as well, especially if students need reminders of these rules. The recommendations below apply to both instructors and students, though there are additional guidelines for instructors as needed.

Support your arguments with evidence. – Use known facts, published research, relevant readings, and previous arguments to support your argument.
Use “I” statements. – It’s OK to articulate your perspectives, feelings, or relevant personal experiences, but don’t try to speak for other people in the class.
Do not generalize about groups. – This relates to the previous point. We can make arguments with known actions or statements by groups, but we should not make overgeneralizations about them.
Allow students to speak without interruption. – This requires people to listen more to others. My only caveat is that as the instructor I have the right to nudge students if they talk too long or I feel their points are drifting.
Listen actively. – We need to do more than not interrupt. We need to pay attention to what is being said so we can respond appropriately. Taking written notes on what others are saying is a good way to practice active listening.
Keep an open mind. – Our goal is to learn from each other. I share that my own opinions and beliefs on numerous topics have evolved over time thanks to engaging with others in open discussions including with students in my class. Give specific examples of this when possible.
Name-calling, sarcasm and inflammatory accusations are not permitted. – We need to maintain respective dialogue when we are debating ideas from different perspectives.
Take a break – If the discussion becomes too heated or intense, suggest a five- to 10-minute break to allow people’s minds to reset and disengage from threat mode. Getting water, a snack, or taking a short walk can all provide just enough respite to bring the temperature down in the room.

Establishing ground rules and then practicing them in class, even very explicitly, can help students understand how to engage not just in class but in various situations. The academic environment may be new for them, however, and they may need guidance. Gently acknowledge comments without judgement that don’t follow the ground rules. Point out your goal is to help students learn how to debate ideas in a way that facilitates open conversation.
Strategies for Facilitating Conversations

As the instructor you can leverage different strategies to facilitate open conversations.

Be intentional about what topics you bring into the conversation. Consider your learning objectives when you choose topics to discuss or apply to course concepts.
Start discussions in small groups to give students a safer space for initiating their discussions. Designate one person to summarize the group’s discussion instead of asking each student to speak.
Consider assigning conversational moves in advance. For example, “Make a comment that brings two other comments together,” or “Disagree with someone respectfully, using evidence to support your claim,” or “Summarize the conversation and suggest a question that still needs consideration.”
For smaller classes, use the round robin format in which each student speaks in succession and builds on the previous comments made.
Include time for quiet reflection – possibly through a short writing activity – to help students prepare their responses.
Choose readings and materials that present different perspectives. This can help students understand that complex ideas can be applied in different ways and that researchers or practitioners are not always in complete agreement.
If you notice conflict between students, use assigned seats for the whole class to provide some separation.

Dealing with Traumatic Events

Even if your course does not cover sensitive or politically charged topics, there may be times when the community is affected by traumatic events. Consider changing your lesson plan as appropriate to address the situation.

Acknowledging the event is important. If you aren’t comfortable facilitating a discussion on the topic, at least recognize the event that occurred.
Provide an opportunity for students to share. Listen openly and ask for confidentiality in what is shared during class. Articulate ground rules as appropriate. Consult Inclusive and Equitable Teaching Practices as well.
Encourage students to use wellness resources and services if they need emotional support or mental health services.
Be aware of student behavior that may suggest you need to talk to them individually. Students may be directly impacted by the event. While most faculty are not qualified to counsel students, you can connect them with resources available through the university. Allow students to take a break outside of the classroom if needed.
Consider extending deadlines on assignments as needed.

It’s important to remember we learn by working through challenges whether in math, design, or textual analysis. For this reason, we should not shy away from discussing sensitive or difficult topics. The role of the instructor is to create an environment where people understand how to make arguments and feel comfortable engaging to help us understand and extend ideas or situations we study.

Add your thoughts in the comments below.

Mike Reese
Mike Reese is Associate Dean of the Center for Teaching Excellence and Innovation and associate teaching professor in Sociology.

Additional Resources

Getting Started with Establishing Ground Rules – Published by the Cornell Center for Teaching Innovation
Guidelines for Discussing Difficult or High-Stakes Topics – Published by the U of Michigan Center for Research on Teaching and Learning
Addressing Disruptive Social and Political Events – Published by the Stanford Teaching Commons
Teaching in Times of Crisis – Published by the Vanderbilt Center for Teaching
Addressing Difficult Events in the Classroom – Published by the MIT Teaching + Learning Lab
Teaching in Difficult Times – Published by the UC Berkeley Center for Teaching and Learning
Handle Difficult Moments with Respect and Sensitivity – Published by the Carnegie Mellon Eberly Center for Teaching Excellence and Innovation
Using Cognitive Empathy in the Classroom – Published by UNC Charlotte Center for Teaching and Learning

Image Source: Mike Reese, Pixabay

Lunch and Learn: Community-Based Learning

Posted on May 16, 2023 by abrusini

On Wednesday, April 19^th, the Center for Teaching Excellence and Innovation (CTEI) hosted a Lunch and Learn on Community-Based Learning. Luisa De Guzman, Assistant Director of the Center for Social Concern, moderated a panel of faculty from the Engaged Scholar Faculty and Community Partner Fellows Program. Sponsored by the Center for Social Concern, this program supports partnerships between JHU faculty and leaders from Baltimore City non-profits in co-teaching Community-Based Learning courses. The panel included: Anne-Elizabeth Brodsky, Associate Teaching Professor in the University Writing Program, Alissa Burkholder Murphy, Senior Lecturer in Mechanical Engineering, Jasmine Blanks Jones, Executive Director of the Center for Social Concern, Matthew Pavesich, Teaching Professor and Director of the University Writing Program, and Victoria Harms, Visiting Assistant Professor in History.

De Guzman opened the presentation by describing community-based learning (CBL) and the opportunities available at the Center for Social Concern. CBL is a pedagogical model that integrates student learning with community engagement. It provides students the opportunity to apply what they are learning in real-world settings and reflect on their service experiences within a classroom setting. By partnering with community organizations, students, faculty, and community stakeholders benefit from the collaborative experience of pursuing mutual goals (Kuh, 2008).

The Engaged Scholarship program at the Center for Social Concern offers various ways to encourage faculty to integrate CBL into their teaching; opportunities range from mini grants of $500 to support CBL activities to an award of up to $5000 with the Engaged Scholar Faculty Fellows program to develop CBL courses with partners in the community. The Spring 2023 Engaged Scholar Faculty Fellows on the panel taught the following courses:

Anne Elizabeth Brodsky: Reintroduction to Writing: Music, Young People, and Democracy
Alissa Burkholder Murphy: Social Impact Design
Jasmine Blanks Jones: Black Storytelling: Public Health Education in the Black World
Matthew Pavesich: Reintroduction to Writing: The City that Writes
Victoria Harms: Rebels, Revolutions, and the Right-Wing Backlash

De Guzman continued with a question-answer session with panelists, including questions and discussion with audience members.

Q: Describe integrating CBL into your course, and what motivated you?

VH: I heard a talk by Dr. Shawntay Stocks on CBL in 2018. I was relatively new and did not feel very comfortable on the Homewood campus at that time. But my students began asking me more and more questions about Baltimore. CBL offered an opportunity to bring Baltimore into my course from different viewpoints.
MP: I started thinking about how to connect goals in our classroom with the community. Grade school kids, including high schoolers, take courses in storytelling. The partners for us have been students in their late teens and early twenties from all across Baltimore City. CBL allows me to bring peers to my students from the community.
JBJ: Prior to my current position, I ran a nonprofit in West Africa for twelve years and recognize that the stories, knowledge, and ancestral wisdom of people of color across the globe is intentionally left out of Western academic practices. If we’re going to really think about the cultivation of knowledge, we have to engage with our communities, with people who are doing the work, who are finding solutions. That is my commitment. This is where it starts if we’re going to be better humans, researchers, and scholars.
AEB: I really like the way CBL expands students’ sense of what an education is and also what is considered expertise. Educators are not just those with a particular degree, but include others who are outside of the classroom: administrators, performers, musicians, etc. CBL also helps students expand their sense of what it means to be in college and not be defined by their major or a particular class. It helps them understand what they could learn in the moment, instead of five years from now. It also gives students an interdisciplinary experience and encourages them to question the idea of disciplinary boundaries.
ABM: I teach a year-long multidisciplinary design course where students work with an external project partner for two semesters. Students like working on social impact projects, being part of something bigger than themselves. I was hesitant at first to bring these types of projects to students without the proper resources; I had some experience working overseas and recognized the challenges of projects like these. The Faculty Fellows program has great structure. It takes massive amounts of time, almost like having a part-time job, but it’s been a great platform to work with Baltimore City Rec and Parks.

Q: How did you manage the logistical side of starting up the partnerships and managing the relationships with the organization you worked with?

MP: It was a rough introduction with Wide Angle Youth Media at first. I came in with a pedagogical model that I had used previously, where students produce work for the organization. The organization’s response was slightly cold – they weren’t sure about our involvement. I stepped back and adjusted assignments and reconfigured the syllabus. We kept communicating which built up trust and things gradually improved. This is all part of the inherent messiness and flexibility that we as teachers have to be ready for.
AEB: I was brand new to OrchKids. My kids play music, so I was familiar with the program, but I was new to them. Once they (OrchKids) got the ‘okay’ to go through with it, we set up weekly Zoom meetings. The logistics were taken care of by Luisa De Guzman.
VH: Finding partners is a challenge and may be a deterrent. You have to acknowledge the legitimate reservations that people have about working with Hopkins. Positionality and cultural humility are lessons that I took away for myself. As a white woman from Hopkins I would show up in certain spaces in Baltimore and not always be welcome. After months of going to events and talking to people, I was able to make a connection at the Reginald F. Lewis Museum. Like Matt said, you keep building on the relationships.
Q: Do these organizations approach the Center for Social Concern (CSC)? Or is it an organic process?

JBJ: It’s generally an organic process. Luisa is very diligent about not matching people with organizations, or vice versa, but with establishing connections and helping people find their way together. We have a lot of community partners that span our different programs. And we’re looking at ways to continue to encourage more. We’re doing this through community happy hours with our partners and bringing people together just to get to know each other, to see what sparks and what ideas can come into fruition.
ABM: I had a booklet of past projects that I looked through and sought out partners that might have something to do with engineering. I reached out and asked if anyone had contacts, made a few calls, and figured out a project from there.
MP: One thing I found a little surprising – my students got a sense of higher stakes in the class. With the addition of the community partners, it’s like the tent got bigger. The stakes got a little higher, while still being relatively safe enough for novice writers. They realized, “We’re doing something cool. It matters to people more than just us.”

Q: How do you assess student learning in the CBL course?

AEB: The work that was going to get evaluated was the work of writing. I asked the folks at OrchKids if there was something our students could do for them in terms of writing or researching, but there was not.
MP: The answer to the question, which is a great question, depends on the pedagogical context of the content. CBL is essentially introducing students to a context for writing and a community for doing that.
VH: In my class, an upper-level writing intensive History class, there are reading assignments about Baltimore’s history in the 1960s. There are also two research papers, one of which is on Baltimore. At the end of the semester, I asked students, “What do we do about the participation grade?” I asked them to decide how they wanted to be assessed on participation and I walked out of the room. When I walked back in, they had a whole argument laid out about why they each deserved 100%. But it was a meaningful argument, so I was fine with it.
JBJ: It’s a real struggle in my course because I have students from many disciplines (public health, anthropology, theatre, etc.). There are public health outcomes that are central points to the course, but also historical content they are exposed to during the engagement with the community. It becomes an evaluation of the discussions that take place in the community, about the readings, and reflecting with each other.

Q: Is anyone documenting this pedagogy?

MP: UWP is constructing a digital resource for teaching and writing: “The Teaching and Writing Toolkit.” It will contain some subsections about CBL, including community engaged syllabi, writing assignments, and rubrics that folks would need to evaluate this work.
JBJ: We’d like to move towards doing research about our practice and write about it. That’s a direction that we are excitedly heading in.
VH: We are a data-driven institution. I added extra questions on the course evaluations and published an article. You do it through publications.

Q: One of the challenges of incorporating CBL is the budget and how it goes into the community. And what happens once the funding ends?

JBJ: As a Faculty Fellow you receive $5000 to work with – this can cover a range of things like materials to student transportation. In my case, the money went to transporting my students and the rest of the balance went to my community partner, the Blacks in Wax Museum. In terms of what happens after we’re done, Anand Pandian in Anthropology found a way for his community co-instructor to become a lecturer at Hopkins. It’s on us as faculty to really advocate for these opportunities. We also need to have more ways to build in how we apply for [CBL] grants together. I am hopeful there will be more happening in the way of tenure and promotion that allows faculty to count engaged scholarship and public facing scholarship.
Q: If students are already involved with an organization, is there a way for them to be recognized (with credit or other) for their efforts so that it also becomes a student-driven initiative?

JBJ: I’ve had students do independent studies with me for credit. These students often remain engaged in the work beyond the initial encounter and sometimes end up working as interns at the CSC.
MP: One of the recommendations from CUE2 is about bringing students’ curriculum, co-curricular, and extra-curricular experiences closer together. We need to stand up credit bearing experiences for students that are not just issued from academic offices, but from experiential learning experiences. This is happening across the country. We could position ourselves as leaders in this area.

Q: I feel like the K-12 environment has been doing this work for a long time. How much do you feel like you’re learning from the K-12 space?

MP: It might be telling about the insularity of Higher Ed that I’m thinking to myself, I’m not really familiar with the conversations happening in Primary and Secondary Ed around those ways.
JBJ: The School of Education is taking innovative steps with how they assess their grad students. They are accepting portfolios rather than just a straightforward dissertation. I think there’s movement there, more so with the profession than with the disciplines, which isn’t surprising. In the professions, in nursing and medicine, narrative medicine has been a thing for a very long time. Now there are reports from national academies about how we use a variety of forms of knowledge creation beyond solely the written text. It comes down to how you evaluate it, not just the long-written paper.

Q: Please tell us a word that summarizes your community-based learning experiences thus far.

VH: Cultural humility.
MP: Potential. We got started, something happened. But the future version of it is the most exciting version, I think.
JBJ: Reparative, and beyond just the relational physical repair.
AEB: Plaid. Some of it was a mess, some of it was personal, and it was all very political. So when you put that together, you get “plaid.”
ABH: Hopeful. There are positive responses from the students, and I think that good things are going to come from what they’re producing.

References:
Kuh, George D. (2008). “High-impact educational practices: What they are, who has access to them, and why they matter.” AAC&U, Washington, D.C. 34 pp.

Amy Brusini, Senior Instructional Designer
Center for Teaching Excellence and Innovation

Image Sources: Lunch and Learn Logo, Pixabay

Surviving to Thriving: Reflections from Teaching Online

Posted on January 22, 2021 by abrusini

On Friday, December 11, 2020, the Office of the Provost, in conjunction with teaching and learning centers across Johns Hopkins University, sponsored a half-day virtual conference titled “Surviving to Thriving: Reflections from Teaching Online.” Faculty, graduate students, and staff came together to share ideas, challenges faced, and best practices when teaching in a virtual environment. Highlights from a few of the sessions are below:

Engaging Students in the Virtual Environment: A panel of faculty representing the School of Education, the Bloomberg School of Public Health, and the Whiting School of Engineering shared strategies for how building community, synchronous sessions, and using specific tools can help to engage students online.

Building community in an online course helps students feel more connected with each other and can lead to more productive learning. Strategies for community building shared by faculty include:

Using ice breaker questions at the beginning of every class
Learning student names
Setting up sessions to get to know one another (in breakout rooms, online discussion boards, Google Sheets)
Offering frequent feedback in multiple formats (email, audio recordings)
‘Humanizing’ situations by admitting mistakes and struggles with technology

Synchronous sessions allow students to experience learning with their peers in a real-time, interactive environment. For students nervous about speaking up during live sessions, faculty members suggested giving them a choice to either use the chat feature or the microphone. One faculty member required his students, in a seminar style class, to ask at least one question during the semester, which helped to build confidence. Another faculty member described posting a ‘speaker list’ ahead of each class so students knew in what order they would be speaking. Not only were students more prepared, but the sessions ran more efficiently. Faculty discussed the challenges of holding synchronous sessions with students in multiple time zones. While most faculty recorded their lectures and made them available online, some offered to give their lecture twice, and allowed students to choose which session to attend. Technology can be another challenge when holding synchronous sessions. Faculty suggested offering material in multiple formats in order to meet the needs of students who may be having technological difficulties. For example, post slides in addition to video.

There are a variety of online tools that can be used to engage students online. Faculty in this session discussed the following:

Padlet – tool that allows students to collaborate synchronously or asynchronously
Loom – video recording application that allows students to create and send recordings
Flipgrid – video discussion board tool
Slack – communication platform used for information sharing, individual and group communication, synchronous and asynchronous collaboration (similar to Teams)

(Note: Instructors are encouraged to contact their school’s teaching and learning center before deciding to use third party tools that may or may not be supported by their institution.)

Jazzing Up Online Presentations: A panel of faculty representing the School of Education, the School of Medicine, and the Krieger School of Arts and Sciences shared strategies for how to strengthen online presentations and keep students engaged. One idea is to maintain a balance between synchronous and asynchronous sessions to help avoid Zoom fatigue. Another idea is to keep sessions interactive by using breakout rooms, videos, knowledge checks, and other active learning techniques. Modeling online navigation for students is another way to help make sure they are staying engaged. For example, if referring to a particular discussion board post, share your screen with students and navigate to the post, read it with students, and discuss together. Consider using a different tool, other than PowerPoint, for your presentation, such as Genially or Sway. Lastly, don’t be afraid to put your personality into your presentation – pets and silly bow ties can make a difference to students!

Student Perspectives: A moderated panel of four students from across the institution shared their experiences with virtual learning this past semester. When asked what has been the most challenging aspect, several students mentioned Zoom fatigue. With the many hours of online lectures they were expected to attend, students reported that it was often difficult to stay engaged. Zoom fatigue also made it a challenge to participate in outside events or clubs since they are virtual as well. Other challenges: difficulty connecting and networking with people online and students living in different time zones.

When asked what techniques they wished more faculty were using, one student mentioned following best practices of online learning to ensure consistency across courses. Another student appreciated how one of her professors asked how students were doing at the beginning of each class. This was a small class, and the student acknowledged that it probably wouldn’t be possible in a larger setting, but that it helped to build community among class members. Another consideration mentioned is to build in breaks during the lecture. Other techniques suggested were the use of collaborative assignments, to help students keep each other accountable, and breakout rooms (in Zoom) with a structured task or purpose in mind.

Students were asked about the positive aspects of virtual learning. One student from the School of Advanced International Studies (SAIS) explained how students from all three SAIS campuses were able to participate in all classes together, and how beneficial it was for students to experience the others’ perspectives. Another student found it extremely helpful that faculty would record their lectures and post them to Blackboard for unlimited viewing. Students also greatly appreciated the creativity and support of their instructors and teaching assistants.

Other topics presented at the conference include: student wellness, assessment, accessibility, and more. The Provost’s office has made the full day of recorded sessions available here with JHED authentication.

Amy Brusini, Senior Instructional Designer
Center for Educational Resources

Image Source: Pixabay

Teaching Online: What Have We Learned?

Posted on October 28, 2020 by abrusini

On Friday, October 9, the Center for Educational Resources (CER) hosted an online session, “Teaching Online: What Have We Learned?” where faculty were able to share and discuss best practices based on their experiences teaching online. Mike Reese, director of the CER and faculty member in Sociology, and Allon Brann, teaching support specialist at the CER, moderated the discussion, structuring it with a few guiding questions as outlined below:

What is something you are doing differently this semester online that you will continue to do when you are back in the classroom?

Jamie Young from Chemistry described how he is using tools such as MS Teams and Slack to build classroom community. He anticipated students feeling isolated in an online environment, so he set up spaces for casual conversation for them to communicate and get to know one another. He said it has definitely encouraged and increased conversation among students. When asked how he motivates students to participate in these environments, Young responded that he made their participation a very small part of their grade. Young and his TAs make it a point to respond right away when students post to these spaces so that students know this is an active space and that they are being heard. This level of responsiveness has also helped boost participation. Back in the classroom, Young plans to continue using these tools for informal office hours.

Rachel Sangree from Civil and Systems Engineering shared that she has been holding evening office hours and what a difference it has made in the number of students who attend. Acknowledging that it is sometimes exhausting, she stated that she sees more students now than ever before. When we’re back in the classroom, Sangree plans to continue to hold evening office hours, but perhaps not quite as late as she offers currently.

Alison Papadakis from Psychological and Brain Sciences described how she has adapted the “think pair share” active learning strategy to an online environment. Students are split into groups and assigned breakout rooms in Zoom, then use Google Sheets to record their ideas and notes while they’re in the rooms. This allows Papadakis to monitor the progress of students without having to manually drop in to each of the rooms. She is also able to add her own comments directly to the sheets in real time as students work on them. It was noted that separate tabs are created for each group in Google Sheets, so each group has its own space to work. Initially Papadakis was concerned that students would feel like she was ‘spying’ on them and wouldn’t like this method, but so far the feedback has been positive. Jamie Young shared a tutorial he put together on this topic: https://docs.google.com/document/d/1uvRB38GHIKNaxQL-dN-9vpWgC43Yslssyz_jh2uPtno/edit

Francois Furstenberg from History shared how he is using the e-reader platform Perusall which allows students to collaboratively annotate their online readings. The annotations inform Furstenberg what parts of the readings students are finding interesting and are helping to shape the in-class discussions. He plans to continue using this platform when in-person classes resume. It was noted that instructors need to have copyright permission before uploading reading material to Perusall. If they have questions about obtaining copyright, they are encouraged to contact their university librarian.

David Kraemer from Mechanical Engineering mentioned that he mailed USB oscilloscope boards and a kit of devices to each of his students so they could perform “hands-on” experiments at home. He recognizes the value of these kits whether or not students are learning online, and plans to keep using them when in person classes resume.

Joshua Reiter from the Center for Leadership Education described how he adjusted his approach to assessments by breaking up large exams into more frequent quizzes throughout the semester. Some of these quizzes were meant to be ‘fun’ quizzes for participation points, but he noticed that students were feeling pressured when taking them, defeating their purpose. Reiter changed them from individual to group quizzes, using the breakout room feature in Zoom. Since then, he’s noticed a significant reduction in stress among the students.

What is something that you are still struggling with?

Several faculty members mentioned that their workload is significantly higher this semester as they do their best to recreate their lessons online. Some feel like they are putting in three times the normal amount of preparation time and as a result, are experiencing technological overload, having to learn and keep up with so many tools. Many faculty mentioned that their students are feeling this way, too. It was suggested that adding technology should be done in a purposeful way and that faculty should not feel compelled to use all of the available tools. Some faculty acknowledged that although it has been very challenging, they have learned a great deal about tools that are out there, and which ones seem to work better for students.

Similarly, a faculty member mentioned how difficult it is to multitask within the online environment; for example, keeping up with the chat window in Zoom while lecturing synchronously. Many faculty agreed, commenting that they feel pressured to keep up with everything going on and that it often feels like a performance. Someone commented that sharing concerns with the students helps to humanize the situation, while setting realistic expectations helps to take pressure off of instructors. One instructor mentioned how he purposely builds pauses into his lectures to allow himself time to catch up. Others mentioned that they use their TAs to monitor the chat window; if the instructor does not have a TA, he or she could ask a student. Another general suggestion is to ask students what works best for them, instead of trying to monitor everything.

Academic integrity was another issue that came up. At least one instructor acknowledged multiple instances of students cheating since moving online, while others shared that they are concerned it may happen to them. A brief discussion followed, with instructors sharing strategies they use to try and mitigate cheating: using online monitoring tools, lowering weights of exams, making all exams open-book/open-note, and placing more emphasis on project-based work.

Some technical questions also came up, such as how to recreate an interactive whiteboard. The responses ranged from configuring Powerpoint in a certain way to using multiple devices. Jamie Young shared a tutorial he put together that uses Open Broadcaster Software (OBS): https://docs.google.com/document/d/1JXptPGjnAOiqbpvrXJPGWDcbqE_l95C6Cm0moYpaelk/edit?usp=sharing Faculty are welcome to contact the CER for help with this and other specific technological challenges.

Anything you would like to share with others?

A few faculty members shared how they are taking advantage of the online environment. Andrew Cherlin from Sociology mentioned how much easier it is to schedule outside guests, such as authors, since there are no travel arrangements, logistics, etc. to be worked out. He has had several guests this semester already. Cherlin also described how he has taken advantage of Zoom to meet with each student individually for about fifteen minutes to check in with them and make sure they are on track. He acknowledged that this is not practical for large courses, but it has been very beneficial to those in his seminar style course.

Lori Finkelstein from Museum Studies described how being online has reshaped her assignments. She usually has students go out into the field to different museums to conduct research. This semester, students are taking a look at what museums are offering virtually and whether or not they are successful, what seems to be working, what is not working, etc.

Lester Spence from Political Science is teaching a course with instructors from Goucher College and Towson University. Students from all three schools are collaborating together as they work on group projects, something that would not necessarily be possible in a face-to-face environment.

Amy Brusini, Senior Instructional Designer
Center for Educational Resources

Image Source: Pixabay

Exhibiting the Avant Garde: Rare Primary Sources as Pedagogy

Posted on September 5, 2019 by abrusini

[Guest post by Molly Warnock, Assistant Professor, History of Art, Johns Hopkins University]

The library is often called the lab of the humanities. In my experience, the Johns Hopkins Sheridan Libraries embraces this role. I collaborate regularly with the Libraries’ staff to encourage students not only to use library resources to conduct their research but also to use the physical space to present their findings. In several of my undergraduate art history courses, students curate an exhibition as one of their major assignments. This article provides an overview of my collaboration with the Sheridan Libraries and describes a model that my colleagues are considering adopting for their own course projects.

The collaboration began when I discovered the extensive modern and avant-garde collections owned by the Libraries, which boast vast reserves of journals, rare exhibition catalogues, and artists’ books, as well as posters, pamphlets, and other ephemera. I wanted to integrate these materials into my courses, and started by setting aside a day or two every semester to visit Special Collections. Now virtually all of my courses at all levels include multiple sessions of this sort. For example, my introductory survey “Modern Art, 1880-1950,” includes thematic visits devoted to such topics as Futurist typography, the role of journals and little magazines in the spread of experimental practices, and utopian urbanism. These visits allow students to see and in many cases handle rare primary materials, adding substantively to our discussions in the classroom. They are almost always surprised to discover the extent of our collections.

The curatorial seminars that I have developed over the past six years are specifically aimed at increasing student engagement with these important library holdings. Each course is in certain respects a traditional seminar, focused on some area of twentieth-century practice. We have weekly readings, look at digital slideshows, and discuss various case studies. At the same time, however, students immerse themselves in a semester-long, hands-on curatorial project centered on one particular aspect of our subject matter. The first such course, “Surrealism,” produced a survey of Surrealist journals (“Surrealism at Mid-Century”), while the second, “The ‘Long Sixties’ in Europe,” turned the spotlight on the library’s wealth of Lettrist books, journals, posters, photographs, and film scripts, among other items (“Presenting: Lettrism”). Additional iterations of “The ‘Long Sixties’” have focused on the library’s recently expanded trove of materials relating to the avant-garde group Cobra (“Asger Jorn and Cobra”) and on the Paris-based journal Robho (“Robho in Context”). Student contributions drive all stages of the project, including: researching and studying the available holdings; crafting a final object list; writing exhibition labels for the selected works; and designing the exhibition layout. At the exhibition opening, the students serve as docents, guiding interested members of the Hopkins community through the show.

Collectively curating an exhibition in one semester means negotiating difficult time constraints. I start my course planning by identifying a long list of objects relevant to my course. Throughout this period, I consult extensively with Don Juedes, the dedicated librarian for History of Art. We then meet with Mark Pollei and Alessandro Scola of the Conservation and Preservation team to ensure that the pre-selected objects are stable enough to be handled repeatedly and determine vulnerabilities that would have to be taken into consideration for exhibition—whether, for instance, a particular book or journal is especially light sensitive, or can only be opened halfway. Once the semester is underway, students begin working on the exhibition immediately. Within the first week, we’re in Special Collections, where students get their first peek of the objects cleared for exhibition; each selects a few to research individually. I provide some initial context, but encourage them to choose based on their broader interests or curiosity about specific items.

One of the course goals is to teach students how to interpret primary materials using different research strategies. Their first assignment is to outline a research plan for each of their chosen objects. Don introduces the students to library resources and teaches them the skills needed to conduct their research: for example, how to meaningfully generate and delimit searches in our online catalogue and how to navigate various databases and bibliographies. They have to locate relevant materials using the strategies Don has shared with them, and indicate how they plan to build an argument from these sources. This can be quite challenging in the case of objects that have not been studied extensively by scholars to date. I provide feedback and encourage them to think broadly about different angles of attack, from the more obvious (researching the artist or author) to the less immediately apparent (researching a gallery’s broader exhibition agenda).

By mid-semester, we are all back in Special Collections, where the students present their objects and recommend specific display options, based on their research findings and the various larger stories we might wish to tell. We then move into the most exciting—and difficult—phase: experimenting with different installation plans and whittling down our final object selection. We mark off spaces equivalent to the various display cases and physically move things around until we feel we’ve arrived at a coherent, visually compelling narrative. The Conservation and Preservation team stop by again to consult with us about our display concept, and then spend roughly a month and a half preparing the featured materials, building customized cradles, and installing the objects. The students use that same period to produce and collectively edit the banner text and individual object labels. The official opening usually takes place in the penultimate week of the semester and serves as a celebratory capstone for the course as a whole.

As an instructor, it is deeply satisfying to see how seriously the students take one another’s research, and how effectively a collaborative project of this sort can help to build community. I find myself continually refining my pedagogical approach to facilitate this. One crucial step was simply to limit the class size to a maximum of ten students. I’ve also explored the potential of new technological platforms to facilitate more lateral processes of peer-to-peer discussion and group editing. For example, having students generate and refine all exhibition-related texts in Google Docs allows me to afford class participants greater responsibility for the finished products, while still tracking individual contributions. This can be awkward at first, as students may not have prior experience giving one another constructive criticism. But they quickly learn that robust peer critique results in a better overall outcome: an exhibition that represents all of their contributions.

In their course evaluations, students rate this experience highly positively. One described “the opportunity to curate an exhibition and work with objects from the library’s collections” as “truly special,” while another called it “unlike anything I had done for a course at Hopkins before,” adding: “Interacting with one another so regularly to work on the exhibition also built a great sense of community among the students.” A third noted: “I really enjoyed getting to spend so much time physically with all these artifacts, and doing research on objects JHU owned.”

This project has also deepened my working relationship with Don Juedes. Don’s assistance has been instrumental at every stage. Early on, he helped me to put together an exhibition proposal and worked with the exhibition committee to significantly expedite the review process, which had previously taken several months. (Based on the success of previous course- related curatorial project, the Libraries now dedicate a regular slot in the calendar to our exhibitions.) He has also worked closely with library staff from multiple departments to streamline workflows and pin down a project timeline.

At the same time, Don and I consult regularly about the collections and often tailor new acquisitions in my research area to the courses I plan to teach and the kind of student-curated exhibitions that might accompany them. For the students, there is an added benefit: working closely with Don teaches them the multi-faceted role that libraries play in supporting the scholarly community. They see that libraries are not just passive repositories but have a highly active custodial and, indeed, curatorial role, assembling and caring for the materials that enable forward-looking research and teaching. They learn the importance of developing relationships with library staff that can provide complementary expertise and assist in the discovery process. The students in these curatorial seminars often become avid library patrons, returning to use primary sources for other courses and independent research projects.

My partnership with the library has changed how I teach and opened up new learning experiences for students. I feel incredibly fortunate that the Libraries’ leadership and outstanding staff at all levels fully grasp the importance of teaching with objects and so generously support pedagogical innovation and collaboration in this area.

Molly Warnock, Assistant Professor
History of Art, Johns Hopkins University

In addition to critical surveys of modern and contemporary art, Molly Warnock’s recent and forthcoming undergraduate courses include several seminars with curatorial components, each focused on particular aspects of twentieth-century practice and culminating in an exhibition of journals and other ephemera from the Special Collections of the Sheridan Libraries. Recent graduate courses have explored the philosophical underpinnings of art history as a modern discipline; problems in abstraction; theories of painting and subjectivity; and the concept of an aesthetic medium, among other topics.

Image Source: Don Juedes

Classics Research Lab: The John Addington Symonds Project

Posted on July 12, 2019 by abrusini

This past spring, the Classics Department launched the Classics Research Lab (CRL). Within each CRL iteration, students conduct empirical research with faculty, contributing to a larger, ongoing project. Although the research takes place under the umbrella of a course, it is the larger project that dictates the course’s scope and even duration—extending, if needed, across multiple semesters. The initiative is similar, in some ways, to a traditional science lab course in which students carry out set experiments to learn disciplinary content and skills. But it differs in that CRL research is open-ended and discovery-based; assisting faculty with an authentic research project, students make new observations and original interpretations of the data under consideration. The guiding principle of the CRL is that undergraduate students should have the opportunity to experience the real, hands-on work of the humanities: to engage in the active questions that humanist scholars pursue, to recognize the historical and current stakes of those questions, and to add their labor, as increasingly competent collaborators, to the quest for answers through careful, detailed, discipline-specific research.

A second aim of the CRL is to counter prevailing myths about humanities research by making it more visible and accessible to non-specialists. Accordingly, CRL participants meet and work in a public lab space—a room in Gilman Hall that looks out onto the atrium. CRL work-in-progress is visible through the windows of the Lab as well as online, via the websites built by individual projects. (See, for example, https://symondsproject.org/.)

The pilot CRL project, co-taught by Shane Butler of the Classics Department and Gabrielle Dean of the Sheridan Libraries, focused on John Addington Symonds, a Victorian scholar who wrote a groundbreaking work on Ancient Greek sexuality, A Problem in Greek Ethics. In its first semester, the John Addington Symonds Project (JASP) produced outcomes that not only contribute to a richer narrative about the history of sexuality, showing how Symonds painstakingly built his innovative arguments, but also provide future researchers with a new set of tools. Along the way, students acquired key skills in bibliography, archival and rare book research, and digital humanities.

The discovery-based ethos of the course required some significant departures from the usual pedagogical protocols. In place of a fixed syllabus, with all assignments configured and described in advance, the instructors developed a semi-structured syllabus with readings and preparatory assignments in the first half of the semester and a more open schedule in the second half of the semester. The goal was to empower students to help guide the project’s directions based on what they learned.

The semester started with a collaborative assignment designed to orient students to the topic and to the basic tasks of humanities research. Using Zotero, an open-source, digital reference management platform, students collectively assembled the Sheridan Libraries’ catalog records of books by Symonds. The books were then checked out to the Lab and shelved in its secure, dedicated space, so that students could work with them over the semester. Students also visited the Libraries’ special collections to study rare, non-circulating books. This initial assignment introduced students from a range of disciplines to library resources and humanities research processes, while offering a broad overview of Symonds’ writings and range of interests. At the same time, students read and discussed Symonds’ autobiography and signature works in the history of sexuality to ground them in the topic. And they began their independent investigations of books written and read by Symonds. Using the materials checked out to the Lab and in special collections, students composed short blog-style essays documenting the physical features of these books, relating the books to Symonds’ letters and other writings, and construing from their observations new analyses of Symonds’ bibliographic and social networks. These blog posts, after undergoing peer review and instructor review, have been published on the project website. (https://symondsproject.org/blog/)

The second collaborative project undertaken by JASP was an “index locorum” to A Problem in Greek Ethics—a detailed index of citations. Using digital resources and reference books checked out to the Lab, students retraced Symonds’ own research to identify the specific texts he used in the composition of this seminal essay. This brand-new index makes it startingly clear how Symonds connected a breadth of Greek and Latin sources, integrated works by later writers, and from these foundations drew original conclusions about the evolution of same-sex love, eroticism, and social norms and ideas about gender and sexuality in the ancient Greek and Roman worlds—as well as the legacy of these practices and philosophies. The index locorum, which is still in progress, is published on the JASP website. (https://symondsproject.org/greek-ethics-index/)

The index brought to the Project’s attention an important gap in Symonds scholarship: the absence of reliable digital editions of some versions of A Problem in Greek Ethics, which has a complicated publication history because of censorship and the practices that publishers undertook to evade it. In keeping with the CRL’s dedication to collaborative leadership, JASP participants decided to dedicate the second half of the semester to two linked endeavors.

A new, accurate, digital edition of the 1897 edition of A Problem in Greek Ethics, an important edition because it was frequently republished. (https://symondsproject.org/greek-ethics-about/)
A digital reconstruction of Symonds’ personal library in Omeka, an open-source content management system for digital collections. (https://symondsproject.org/library/)

Students also contributed to the visibility and ongoing viability of the lab through two “meta-lab” ventures: a video (still in development) about JASP, using footage captured throughout the semester via a camera set-up and workflow established by Reid Sczerba of the CER, and a manual documenting the Project’s research processes, to be used by future students. Finally, JASP hosted an “open lab” at the end of the semester with a display of rare books, facsimile photographs, and the physical manifestations of the reconstructed Symonds library, along with the chance to talk with students about their research.While the CRL will continue next semester with the John Addington Symonds Project, it is not constrained to that topic. Other faculty will offer their own lab courses, sometimes simultaneously in the lab space, to provide students with a variety of opportunities to apply humanities research skills.

Professors Butler and Dean believe the research-based teaching model of the Classics Research Lab is a contemporary implementation of the historic Johns Hopkins model, as the first modern research university in America. The hope is that this curricular model might scale to other disciplines and other universities. For more information, contact Shane Butler (shane.butler@jhu.edu) or Gabrielle Dean (gnodean@jhu.edu).

Dr. Michael J. Reese, Associate Dean and Director
Center for Educational Resources

Image Source: Gabrielle Dean, Reid Sczerba

Empowering Students through Guided Reflection

Posted on June 20, 2019 by abrusini

[Guest post by Pamela Sheff, Director, Center for Leadership Education, Johns Hopkins University]

Each spring, I teach a course called Culture of the Engineering Profession for the Center for Leadership Education in the Whiting School. Primarily through discussions and projects, students in this class investigate what it means to be an engineer, identify contemporary issues in engineering, and consider the ethical guidelines of the engineering profession. The majority of students in the Spring 2019 class were Chemical and Biomolecular Engineering majors with a Mechanical Engineering student mixed in. This semester, I decided to experiment somewhat with guided reflection, a metacognitive practice that was new for many of these students.

One of the goals of the course is to help students strengthen their communication skills; therefore I leverage a great deal of class discussion including a requirement for students to lead a discussion at least once during the semester. Several times during the semester, I guided the students in reflecting not only on the quality of their discussions, but also on the culture of the classroom as a whole. I raised questions such as the following: What is working well? What could be changed? What values do students want in the classroom? From this reflective exercise the students generated a rubric listing characteristics including accountability, respect, and transparency. Every couple of weeks, I asked them to reflect on how they were doing as a group by reviewing the list.

After about six weeks, I noticed the group coming to consensus on what they felt was working in our classroom practice and what needed to change. For example, one idea suggested by the group was to speak purposefully during discussions. Students should not talk simply to be heard, but to move the discussion forward. Results included higher quality discussions and improved leadership skills.

The success of using a rubric to guide class discussions led me to continue using reflection to help students evaluate their major projects. We talked during class about effective project criteria, for example, and what they should look for in the posters they would see at the course-wide poster fair. The teaching assistants in the class then compiled the list of suggestions, which helped the students create strong written critiques after the fair. I talked with the class about how to assign grades to the team discussions they had been leading. Again, we worked in class to develop a list of criteria to consider and, the TAs and I developed the grading rubric. I then gave the students an opportunity to comment on the rubric before it was finalized. I also made the decision to allow students to grade their own projects according to the rubric. If I agreed with the grade they chose, the grade stood. If not, I modified the grade. In a class of 29 students, I only had to lower two grades. I did raise three grades, in cases where the students were unduly critical of their efforts.

The results of continuous guided reflection? The projects were the best I have ever seen in this class, and I could not have been more pleased. I attribute the high quality of work to students taking ownership of the process. It pushed them to live up to the standards they defined for themselves, and in many cases, go beyond them. Providing space for students to reflect on what they were working towards led them to act more purposefully and, in turn, allowed me to give them agency over the classroom. I am thrilled with the way this approach worked out and am planning to use it again in future semesters.

Pamela Sheff, Associate Teaching Professor and Director
Center for Leadership Education, Johns Hopkins University

Pamela Sheff is an award-winning writer and marketing communications consultant, with a wealth of experience developing marketing, public relations and communications strategies for clients ranging from start-ups to large corporate, institutional and government organizations. Now a full-time lecturer in the Center for Leadership Education, Pam has taught business communications for private companies and directed the Writing Program at Goucher College.

Image Source: Pixabay

An Evidence-based Approach to Effective Studying

Posted on January 24, 2019 by abrusini

Dr. Culhane is Professor and Chair of the Department of Pharmaceutical Sciences at Notre Dame of Maryland University School of Pharmacy.

If you are like me, much of your time is spent ensuring that the classroom learning experience you provide for your students is stimulating, interactive and impactful. But how invested are we in ensuring that what students do outside of class is productive? Based on my anecdotal experience and several studies^1,2,3 looking at study strategies employed by students, the answer to this question is not nearly enough! Much like professional athletes or musicians, our students are asked to perform at a high level, mastering advanced, information dense subjects; yet unlike these specialists who have spent years honing the skills of their craft, very few students have had any formal training in the basic skills necessary to learn successfully. It should be no surprise to us that when left to their own devices, our students tend to mismanage their time, fall victim to distractions and gravitate towards low impact or inefficient learning strategies. Even if students are familiar with high impact strategies and how to use them, it is easy for them to default back to bad habits, especially when they are overloaded with work and pressed for time.

Several years ago, I began to seriously think about and research this issue in hopes of developing an evidence-based process that would be easy for students to learn and implement. Out of this work I developed a strategy focused on the development of metacognition – thinking about how one learns. I based it on extensively studied, high impact learning techniques to include: distributed learning, self-testing, interleaving and application practice.⁴ I call this strategy the S.A.L.A.M.I. method. This method is named after a metaphor used by one of my graduate school professors. He argued that learning is like eating a salami. If you eat the salami one slice at a time, rather than trying to eat the whole salami in one setting, the salami is more likely to stay with you. Many readers will see that this analogy represents the effectiveness of distributed learning over the “binge and purge” method which many of our students gravitate towards.

S.A.L.A.M.I. is a “backronym” for Systematic Approach to Learning And Metacognitive Improvement. The method is structured around typical, daily learning experiences that I refer to as the five S.A.L.A.M.I. steps:

Pre-class preparation
In-class engagement
Post-class review
Pre-exam preparation
Post-assessment review

When teaching the S.A.L.A.M.I. method, I explain how each of the five steps correspond to different “stages” or components of learning (see figure 1). Through mastery of skills associated with each of the five S.A.L.A.M.I. steps, students can more efficiently and effectively master a subject area.

Figure 1

Despite its simplicity, this model provides a starting point to help students understand that learning is a process that takes time, requires the use of different learning strategies and can benefit from the development of metacognitive awareness. Specific techniques designed to enhance metacognition and learning are employed during each of the five steps, helping students use their time effectively, maximize learning and achieve subject mastery. Describing all the tools and techniques recommended for each of the five steps would be beyond the scope of this post, but I would like to share two that I have found useful for students to evaluate the effectiveness of their learning and make data driven changes to their study strategies.

Let us return to our example of professional athletes and musicians: these individuals maintain high levels of performance by consistently monitoring and evaluating the efficacy of their practice as well as reviewing their performance after games or concerts. If we translate this example to an academic environment, the practice or rehearsal becomes student learning (in and out of class) and the game or concert acts as the assessment. We often evaluate students’ formative or summative “performances” with grades, written or verbal feedback. But what type of feedback do we give them to help improve the efficacy of their preparation for those “performances?” If we do give them feedback about how to improve their learning process, is it evidenced-based and directed at improving metacognition, or do we simply tell them they need to study harder or join a study group in order to improve their learning? I would contend that we could do more to help students evaluate their approach to learning outside of class and examination performance. This is where a pre-exam checklist and exam wrapper can be helpful.

The inspiration for the pre-exam checklist came from the pre-flight checklist a pilot friend of mine uses to ensure that he and his private aircraft are ready for flight. I decided to develop a similar tool for my students that would allow them to monitor and evaluate the effectiveness of their preparation for upcoming assessments. The form is based on a series of reflective questions that help students think about the effectiveness of their daily study habits. If used consistently over time and evaluated by a knowledgeable faculty or learning specialist, this tool can help students be more successful in making sustainable, data driven changes in their approach to learning.

Another tool that I use is called an exam wrapper. There are many examples of exam wrappers online, however, I developed my own wrapper based on the different stages or components of learning shown in figure 1. The S.A.L.A.M.I. wrapper is divided into five different sections. Three of the five sections focus on the following stages or components of learning: understanding and building context, consolidation, and application. The remaining two sections focus on exam skills and environmental factors that may impact performance. Under each of the five sections is a series of statements that describe possible reasons for missing an exam question. The student analyzes each missed question and matches one or more of the statements on the wrapper to each one. Based on the results of the analysis, the student can identify the component of learning, exam skill or environmental factors that they are struggling with and begin to take corrective action. Both the pre-exam checklist and exam wrapper can be used to help “diagnose” the learning issue that academically struggling students may be experiencing.

Two of the most common issues that I diagnose involve illusions of learning⁵. Students who suffer from the ‘illusion of knowledge’ often mistake their understanding of a topic for mastery. These students anticipate getting a high grade on an assessment but end up frustrated and confused when receiving a much lower grade than expected. Information from the S.A.L.A.M.I. wrapper can help them realize that although they may have understood the concept being taught, they could not effectively recall important facts and apply them. Students who suffer from the ‘illusion of productivity’ often spend extensive time preparing for an exam, however, the techniques they use are extremely passive. Commonly used passive study strategies include: highlighting, recopying and re-reading notes, or listening to audio/video recordings of lectures in their entirety. The pre-exam checklist can help students identify the learning strategies they are using and reflect on their effectiveness. When I encounter students favoring the use of passive learning strategies I use the analogy of trying to dig a six-foot deep hole with a spoon: “You will certainly work hard for hours moving dirt with a spoon, but you would be a lot more productive if you learned how to use a shovel.” The shovel in this case represents adopting strategies such as distributed practice, self-testing, interleaving and application practice.

Rather than relying on anecdotal advice from classmates or old habits that are no longer working, students should seek help early, consistently practice effective and efficient study strategies, and remember that digesting information (e.g. a S.A.L.A.M.I.) in small doses is always more effective at ‘keeping the information down’ so it may be applied and utilized successfully later.

Kornell, N., Bjork, R. The promise and perils of self-regulated study. Psychon Bull Rev. 2007;14 (2): 219-224.
Karpicke, J. D., Butler, A. C., & Roediger, H. L. Metacognitive strategies in student learning: Do students practice retrieval when they study on their own? Memory. 2009; 17: 471– 479.
Persky, A.M., Hudson, S. L. A snapshot of student study strategies across a professional pharmacy curriculum: Are students using evidence-based practice? Curr Pharm Teach Learn. 2016; 8: 141-147.
Dunlosky, J., Rawson, K.A., Marsh, E.J., Nathan, M.J., Willingham, D.T. Improving Students’ Learning With Effective Learning Techniques: Promising Directions From Cognitive and Educational Psychology. Psychol Sci Publ Int. 2013; 14 (1): 4-58.
Koriat, A., & Bjork, R. A. Illusions of competence during study can be remedied by manipulations that enhance learners’ sensitivity to retrieval conditions at test. Memory & Cognition. 2006; 34: 959-972.

James M. Culhane, Ph.D.
Chair and Professor, School of Pharmacy, Notre Dame of Maryland University

The Innovative Instructor

Pedagogy – Best Practices – Technology

Category Archives: Teaching Methods

Lunch and Learn: From Plato to Pixar – Using Storytelling Frameworks to Drive Learner Engagement and Improved Outcomes

The Teaching Fellows Project: Community-based Learning in Baltimore City Schools

Facilitating Difficult Conversations during Class

Surviving to Thriving: Reflections from Teaching Online

Teaching Online: What Have We Learned?

Exhibiting the Avant Garde: Rare Primary Sources as Pedagogy

Classics Research Lab: The John Addington Symonds Project

Empowering Students through Guided Reflection

An Evidence-based Approach to Effective Studying