Lunch and Learn: Continuous Improvement – Maintaining Engagement in the Classroom as an Instructor

On Wednesday, November 20, 2024, the Center for Teaching Excellence and Innovation (CTEI) hosted a Lunch and Learn panel discussion titled, “Continuous Improvement: Maintaining Engagement in the Classroom as an Instructor.” Featured faculty panelists included Belinda Chen, Assistant Professor of Medicine and Director of Faculty Development Programs in Curriculum Development at the School of Medicine, Anicia Timberlake, Assistant Professor of Musicology at the Peabody Institute, and Lisa WrightLecturer in the University Writing Program at the Krieger School of Arts & Sciences. Caroline Egan, Teaching Academy Program Manager, facilitated the dialogue.

Caroline Egan opened the session by asking panelists how they maintain their energy and focus, and if they have any techniques to share. Lisa Wright described how she hosts group writing sessions with students and colleagues, something she started as a graduate student during Covid: “I find that I write better when I am with my colleagues. It helps me stay engaged with my classes, my research, and I get to know how my students are impacted by the writing they are doing.” She also regularly engages with the Baltimore community, saying, “I have met guest speakers for my classes and have discovered and hosted special events for students where they are able to work alongside members of the community.”

Belinda Chen noted the advantage she has of working in a clinical setting (in addition to her academic work) and how it enables her to regularly bring new material to the classroom: “Being in the field helps explain why what I’m teaching my students is important and why it matters. It’s really cool and interesting stuff!”

Anicia Timberlake likes to pose questions that interest her to students about the topics she is teaching, such as why a piece of music solves a particular historical problem; in addition, she loves to tell stories about unresolved dichotomies. She also enjoys designing activities that allow students to collaborate and discover new things together.  For inspiration, Timberlake relies on the greater instructional community: “I joined a Facebook group about music history and pedagogy which has been helpful.”

The panelists went on to discuss challenges they have faced recently and steps they have taken to address them. Wright, whose research focuses on Black maternal health, stated: “Normally I get a lot of Black students, but not this year. This has changed my course. Students without an African descent bring a different experience to the room.” She described how she has had to make some adjustments in her teaching: “I need to continuously improve; I want to make sure what I’m bringing is what is needed. I have students reflect on every assignment, asking them, ‘How can I do better? What would you like to learn next?’”

Chen has also adjusted her teaching in response to how the faculty who take her course have changed over the years: ”They have less time on their hands. They used to have more time to think, engage, and reflect. Now it’s more like, ‘Give me what I need to know.’ This has led to changes in my assignments and the structure of the class. It can be challenging but I need to be willing to adapt core content to where people are, where they want to be.”Instructor standing in the front of a classroom of college-level students

Timberlake raised the issue of getting students to speak during a seminar: “I try to design our time together so that students have more explicit structure resulting in greater participation. I also visit colleagues’ classes to see what they are doing. They often have the same issues, which helps me feel less alone in trying to figure this out.”

When asked what advice they would give to graduate students and new teachers as they embark on their careers, in terms of holding on to their passion, the panelists had these words of wisdom to share:

  • Lisa Wright urged a prioritization of one’s self: “Reflect on what your true interests are and do not let academia run you down. You have to learn to say no to some things. You will want to be there for students, but you also need to be there for yourself.”
  • Belinda Chen encouraged a willingness to change your approach to teaching: “Be open to the fact that what you have may not be what students need at the time. Knowledge and information are easier to access nowadays, so maybe what is more important is the questions that you have about the information. It’s ok to admit that you don’t have all the answers. Being a teacher does not require that you know everything.”
  • Anicia Timberlake had several suggestions:
    • Don’t reinvent the wheel: read colleagues’ syllabi, talk to and collaborate with other instructors.
    • Recognize that students learn when they do the work, not when the instructor does the work; find more ways for students to engage with each other and work together.
    • Do not feel like a failure when things don’t go as planned. Ask yourself: How can I learn from this? Don’t focus on doing everything 100 percent correct all the time.

From this point on, the panelists participated in a Q and A session with audience members:

Q: In the second half of the semester, students tend to lose motivation. Is there anything we can do to address this?

LW: Building relationships in the classroom is important. This may be tougher for larger classes but try to check in with students. Give them a chance to speak. Some students are experiencing trauma or other difficulties and don’t know where to go for help. If they know you care, that can help.College-level students having a discussion sitting around a table
BC: I agree, we do check-ins, too. Go for small wins – what is something that is motivating for everyone? Try to think about a win that everyone can go for. Find a way to engage in something that doesn’t require so much effort but is still moving things along in the right trajectory in terms of the class.
AT: Change something in the middle of the semester. Don’t let students autopilot through until the end. Include in-class activities that allow them to work together, socialize with each other, and require less feedback from you as the instructor. Even a small twist on the rules of the class can help. For example: ask students to call on the next person to speak during a class discussion. Or have students participate in a collaborative writing activity in a shared Google Doc. Try to plan interesting material and activities towards to the end of the semester to keep the excitement going.

Q: I teach writing and communication classes to students in the Whiting School of Engineering. I often hear students talk about Humanities classes as “blow off” classes. What advice do you have to convince them that these skills matter?

LW: I love this age group – these students are invested in the future. We need to take advantage of that. Give them a task but keep the boundaries wide. They need to be invested in the ask. I’m getting Public Health students and students from various other majors, and I’m interested to see what they come up with. You have to be invested in what you are asking of them. It makes a difference.
BC:  We are working with high level students. Tap into a special skill that they have. Take the time to understand where they feel like they could have more impact. Ask them, “How could you communicate this to an audience? What would you want to say?”
LW: Audience matters – let them choose their audience. This makes a difference. Allow them to send their ideas out to an actual audience for feedback.
AT: I love the idea of choosing their audience. Choosing topics is also important. I teach students, who are musicians, to write. I assign things that they can relate to, but also things that aren’t relevant to them at first.

Q: I teach international students at the School of Advanced International Studies with little or no experience participating in discussions. Any advice for teaching international students?

LW: Perhaps putting students in small groups would help. This will get them talking with each other. Let them choose their groups and meet with them regularly to check in. Ask them to review their peers’ writings; this will help them grow as communicators.Two students working on something together
BC: Figure out why they are not talking. For example, if it seems to be a cultural issue, maybe there are specific strategies to help such as having them talk to each other without teacher interference, or requiring everyone to speak, but keeping the stakes very low, or offering positive feedback for speaking to help them open up.
AT: I teach a lot of international students. I also studied in Germany. In the U.S., we assume the types of classroom conversations that we value are second nature, but they are actually a product of our culture. It helps to point this out to students: a classroom discussion is a learnable skill, not an innate talent. It can also help to show them how conversations work: 80% of a conversation is people nodding or saying they agree with an idea, which doesn’t require any particular preparation and is very low risk. Make it clear that you notice when your students participate in this way; they will eventually build up to taking more risks.  Also, the pace of the class can be an issue. Slow things down for your students. Take pauses during activities, allow students to ask questions. Anonymous online interaction tools, such as Jamboard*, might also be helpful. Tools that depersonalize people allow for more freedom and encourage them to ask more questions.

Audience comment: As an international student, I found group discussions very helpful. Eye contact from the teacher and also being invited to speak by the teacher were also helpful.

Q: I am a graduate student and I have 2 questions:
1. I just started teaching and I have a hard time getting quiet students engaged. Any ideas to help with this?
2. I teach History of Science to STEM majors. How can I engage students outside of the classroom, in the community?

AT: For quiet students: consider surveying them anonymously to find out why they don’t want to talk. Ask them, “What can I do to help? What can you do to help?” Often, it’s the pace of the class, or the size of the group. I build in pauses so students have time to collect their thoughts. Build in think-pair-share activities with smaller groups to allow them to get more comfortable interacting with their peers.
LW: Give the quiet students a chance to write out their thoughts, then let them talk it out. Also, we should not be afraid of silence. Give students a chance to think, wait for them. Let them know you want to hear from them.
AT: We tend to teach classes that award participation points for speaking. But this can penalize those who don’t speak, and places a negative incentive on vocal contributions. Instead, consider giving a grade for respectful presence in the classroom, and giving extra credit for vocal participation. It sends a message that you value what they say and may help to incentivize them to talk. We need to hear diverse voices.
BC: Writing is important, but there are other ways to communicate. Give students options: use the discussion board or chat tool, record a video, post a picture, etc. Be open to using other tools. Also, tap into the importance of your subject. Don’t be apologetic for your subject – students will pick up on that. Try to diagnose why these students are quiet. What else do they have going on? Build in flexibility into your course.
LW: For engaging your STEM students outside of class, consider creating or sharing events that connect to existing STEM-related events happening in the community. Another idea is to embed a 5 minute “What’s going on” activity into each class to review what events are going on within the field that may be interesting for students to attend.

Q: How do you check in with students in class? Are there other strategies to get through all of the content?

LW: There are several ways of showing students you care: quickly ask how they are, give them a moment to journal their thoughts, participate on a discussion board, etc. If it’s a large class, they could respond with thumbs up/thumbs down. This doesn’t have to take a lot of time.Woman writing in a notebook
AT: Experiment with different ways. You could ask them how they are doing and have them answer in writing. Or ask them, “What is one thing that confused you? What is one thing you understand really well?” You could use online tools such as a word cloud in Poll Everywhere, or stickers in Jamboard. All of these ideas allow you to quickly pick up on main themes of how the class is doing.
LW: Make sure students are aware of the resources that are available to them. Have a list ready to send or share with them.
BC: Check-ins can also be about your content. For example, a quick quiz to help people remember what they already know.

*Jamboard will be discontinued on December 31, 2024. Other alternative tools to consider include FigJam, Lucidspark, and Miro.

Amy Brusini, Senior Instructional Designer
Center for Teaching Excellence and Innovation
 

Image source: Lunch and Learn logo, Pixabay, Unsplash

Lunch and Learn: Active Learning Techniques

On Tuesday, March 12th, the Center for Teaching Excellence and Innovation (CTEI) hosted a Lunch and Learn on Active Learning Techniques: Advice and Guidance from Experienced Faculty. Faculty panelists included Nate Brown, Senior Lecturer, University Writing Program (KSAS); Robert Leheny, Professor and Department Chair, Department of Physics and Astronomy (KSAS); and Michael Falk, Vice Dean of Undergraduate Education and Professor, Department of Materials Science and Engineering (WSE). Caroline Egan, Teaching Academy Program  Manager, moderated the discussion.

Caroline began the session by asking panelists how they got started with active learning and what they would recommend to those who were thinking about implementing it.

Nate Brown described how he heavily relied on his lecture notes to deliver content to students when he first started teaching. As he’s gained more experience, he’s moved away from using lecture notes and actively involves students in their learning.  Brown structures his classes now in such a way that the students drive the conversation and solve problems collectively, leading to greater retention of information and increased engagement. He makes a point of having students think about “why they are doing what they are doing.”

Robert Leheny recalled how the Provost’s Gateway Sciences Initiative from several years ago provided funding to support the redesign of gateway science courses, such as the Introduction to Physics course, which he teaches. The goal of the Gateway Sciences Initiative was to evolve the pedagogy in large introductory science courses to produce better student outcomes.

The Intro to Physics redesign, which was modeled after similar large lecture style courses at NC State and MIT, moved away from a traditional lecture style to a much more interactive experience. Students are divided into groups and sit at round tables instead of in rows, and they solve problem sets together during class rather than at home. This in-class work is partly enabled by a flipped classroom approach which enables students to review the content before coming to class. Leheny said the department now offers two versions of Introduction to Physics that students can select from: an active learning style and a more traditional auditorium/lecture style.

Michael Falk first started implementing  active learning by using  clickers in a 200-student Introduction to Computer Programming course at the University of Michigan several years ago. Since he’s been at Hopkins, his classes have been smaller, allowing him to approach active learning in different ways. Falk gave an example of how he flipped an upper-level materials science course (which is now also part of the Gateway Computing program) so that students work in an online textbook outside of class and do more collaborative work during class. Another example is a First-Year Seminar class taught by Falk, Turing’s Shadow: Uncovering What’s Hidden in STEM. This discussion-based course covers a range of topics, some of which are sensitive, and students are often afraid to speak up. To address this, Falk created a series of discussion cards to help ease students’ discomfort. The cards provide discussion prompts for students, such as “Clarification: Ask for further explanation about something,” and they also inject some fun elements into the conversation by asking respondents to present their response “in the form of a song,” or “while walking around the room very quickly,” for example. It turns the exercise into a game and helps students to feel more comfortable participating in class.

Caroline continued by asking the panelists what their definition of active learning is and to provide a counter-example of it, which would bring its definition into better relief.

NB:   I think it involves giving students a stake in what we’re doing. For example, helping to define the parameters of a paper we’re going to write. I see the professorial role as one of support, like “air traffic control.” With active learning, students are involved in the creation of their own learning.

RL: The primary component of active learning in physics is peer instruction. Students need to be able to solve problems. We don’t use class time to introduce students to concepts, but instead give students an opportunity to practice solving problems where there are resources to help facilitate these skills. For example, students are divided into groups of three and explain to each other how they would go about solving a problem. The act of explaining the problem to someone else helps to solidify their own understanding. A counter example would be the old way of the instructor speaking from the blackboard, talking uninterrupted for most of the class period.

MF: Active learning is learning by doing. Students are engaging with content in a supportive environment. We are teaching a different group of students at Hopkins now – there are many more first- generation, limited-income, and/or underrepresented students with very different backgrounds. We need to think proactively about leveling the playing field for students. This is evident in the data around class outcomes: classes taught using active learning techniques have lower levels of students failing or dropping out. This is even more true for students in underrepresented groups.

RL: We also see this in Intro to Physics. We have the two versions of the course: one in the auditorium (which may have some active learning elements in it), and one designed specifically as an active learning course. The homework and exams are the same in both courses. The outcomes show that failing grades are much less likely to occur in the active learning course.

MF: I used to think my job as an instructor was to deliver content and material. Now, with active learning, I think my job is to deliver an experience.

Caroline continued by asking panelists for a simple active learning technique that instructors can implement right away.

NB: This may sound crazy – it comes from a writer colleague of mine. I was having students read out loud in class and noticed they were struggling: they didn’t feel comfortable, they were shy, or were experiencing language barriers, etc. I then asked them all to read in chorus (at the same time). No one understood what they were hearing, but it shocked them into it being ok to share. It really helped them get over their nerves.

RL: Think-Pair-Share. This technique works very well in a large lecture environment. We give students a multiple choice question and have everyone vote on the answer. Next, they have to find someone who voted differently and try to convince them to change their answer. We then ask students to vote again. The results are that there are usually more correct answers the second time. You do need good questions for this to be effective.

MF: An idea for STEM classes, figure out a way to shorten your lecture and hand out the problem set at the end of class. Allow students to work on them with each other. Ask students to write down the steps on how they would solve the problem, but not actually solve it. Allow time for a report out at the end. This gives them a chance to support each other while organizing information.

CE: A complimentary Humanities example: In my first-year writing class, I hand out labeled strips of paper to students with our class readings on them and ask them to organize the strips in a way that would help the students use the readings in their papers. Also, I give students writing prompts, break them into groups, and ask them to find out where they would find the answers to the prompts. This helps to get them in the right mindset of locating good sources.

Two other examples of active learning were mentioned by faculty guests. One instructor explained how she has students use Legos to construct the analysis of an argument. They connect more and more Legos to build supportive elements of their argument and take away those that they disagree with. Another instructor mentioned that she has students act out responses in class.

The session continued with questions from the audience for the panelists:

Q: In reference to Think-Pair-Share, have you observed any competitiveness among students or reluctance to participate in these activities?
MF: We tell students it has nothing to do with their grade.
RL: We do the same. We also tell them there is no curve and it is possible for everyone to get an A, which reduces overall competitiveness.
NB: One of the great things about this exercise, where students are engaging with each other, is that they get to hear from peers that are from all over the world. We turn it into a social space where they can feel comfortable sharing.

Q: (From a librarian) I recently had about 30 minutes to work with students in a research class. I received feedback from a student that I didn’t do enough active learning in the class, despite doing a brainstorming exercise with them. What do you do when you need more active learning in such a short amount of time?
RL: Explain to students why you structured the class like you did. It will help if you get their buy-in. Maybe the answer is to announce at the beginning that what you’re doing is in fact active leaning.
MF: Students like playing – it makes for a positive learning experience. Perhaps turn part of it into a game/play. And then explain what and why you’re doing it this way.

Q: Are there any active learning experiences to share when you’re guest lecturing? Do you use the same or different strategies?
MF: It needs to be a different strategy. As a guest, you don’t have the advantage of repetition or control of the environment. Explain to students what you’re doing and do the best you can with the constraints that you’re under.
CE: Be very intentional about your choices. At the end, ask them one thing they will remember from the class. This is a good recall exercise.
NB: As a guest speaker, you already are a bit novel since your presence is different than their regular day. Maybe use a novel activity that they will remember.

Q: Could you each share how you put groups together intentionally instead of having students self-form?
RL: Students are put into groups of three. Groups are engineered this way – we switch a few times during the semester. The students don’t know it, but we add them to groups according to their performance on the midterm. In each group, there is one person that scored at the top, one from the middle, and one from a low level. The top level person gets more practice articulating ideas. The lower level person gets the benefit of working with someone who has command of the material. We also group according to gender: we avoid placing two men and one woman in a group to avoid women being excluded. There is research that supports this.
NB: We also do a lot of group work. Halfway through the semester, I ask students to work with someone they haven’t worked with before. I also ask them to sit next to someone different. It results in a richer peer review experience.
MF: I have students do a self-assessment at the very beginning of the course and use the results of the assessment to group students.

For more information about the active learning topics discussed at the event, please see this  Active Learning For Distribution folder of materials developed by Caroline Egan.

Amy Brusini, Senior Instructional Designer
Center for Teaching Excellence and Innovation
 

Image source: Lunch and Learn logo, Unsplash, Pixabay

Lunch and Learn: Inclusive Pedagogy

On Tuesday, October 19, 2021, the Center for Educational Resources (CER) hosted a virtual Lunch and Learn: Inclusive Pedagogy. Karen Fleming, Professor in Biophysics, and Mike Reese, Associate Teaching Professor in Sociology and CER director, each presented strategies that are important to them in helping to make their classes more inclusive:

  • Recognize that everyone comes from a different place with different experiences. Fleming mentioned The Privileged Poor, a book by Anthony Jack, that addresses the struggles faced by less privileged students after being admitted to elite universities. She explained that taking students’ backgrounds into consideration and embracing differences is vital to their success.
  • Try to instill a growth mindset. In her teaching, Fleming acknowledges to her students that the work is difficult, it can be a struggle at times, and it’s ok if you don’t get it right the first time – this is all part of learning. She tells her students that everyone has unlimited potential and encourages them to keep practicing and they will come away with new skills. Fleming stressed the importance of trying to get students to internalize this way of thinking and offers her students a great deal of positive reinforcement throughout the semester.
  • Show the humanity of science and diversify materials. Fleming described how she makes an effort to showcase diverse scientists who are working in the field – people of color, women, etc. Students need to see role models and images of people that look like them. Like Fleming, Reese explained how he also makes an effort to display photos of diverse experts in the fields as he discusses key findings or theories in sociology..
  • Learn students’ names. Reese acknowledged this can be a challenge if the class is large. He suggested instructors print out the student photo roster from SIS and/or bring tented name cards to the first class for students to display on their desks (if teaching in person) to help learn names. Reese stated that students are more engaged and come to office hours more often when he makes an effort to learn their names.
  • Use non-competitive grading strategies. Reese noted that this was one of the recommendations in JHU’s Second Commission on Undergraduate Education (CUE2) report. Using straight grading, rather than curved, is one example. Another example is to add a standard number of points to every students final score if they overall average is lower than expected, which might suggest the test was more challenging than intended.
  • Conduct a mid-semester survey. Reese described how he administers a brief mid-semester survey that is anonymous. He tells students ahead of time that he may not be able to address every concern, but will do his best to support them. Once submitted, he summarizes the results for students and outlines any changes he plans to make.
  • Explain the purpose of different components in your class. Reese gave the example of something basic like office hours. First generation students may not understand the purpose or value of office hours – it is a chance to ask for help but also discuss career goals with instructors. Taking the time to explain resources that are available to students has proven very useful.
  • Follow the principles of Universal Design for Learning (UDL). UDL is an approach to designing instruction in flexible ways in order to reduce barriers to learning. For example, instructors can provide alternatives when giving an assessment – some students may take an exam, others may submit a paper, etc. Reese acknowledged that this often means more work on his end, as he will be grading different types of assignments. He noted that although the format may be different, he is assessing students according to the same learning objectives.

The presentation continued with faculty attendees offering comments and suggestions of their own:

  • One faculty member explained how she thinks very carefully about what language she uses with students to mitigate her own implicit biases. She thinks about how certain words (i.e. binary language) may unintentionally signal something to students and is careful to avoid this whenever possible. Fleming agreed and stated how important it is that we all regularly examine our own biases; we should be open with students and let them know we are making an effort to communicate without bias. Reese mentioned the Harvard implicit bias test which is a tool that can help all of us discover our own hidden biases.
  • Another faculty member shared how she has found success with specifications grading to help instill a growth mindset. With specifications grading, students have multiple chances to succeed and are given lots of feedback to help them reach their goals. The faculty member also pointed out that using specifications grading is another example of a non-competitive grading strategy as students are only graded on the work they choose to complete.
  • An engineering faculty member has made an effort to proactively host events that feature speakers of varied races, cultures, and identities in order to show students who make up this particular field of study.
  • Another faculty member stressed the importance of using live captions and how beneficial they are to students and how much students appreciate them.

Towards the end, there were a few questions from the audience:

Q:  Regarding growth mindset, what exactly do you say to students?

A: Fleming responded that she tells her students everyone can be successful with whatever task they are working on, that practice is important, and failure is ok. Some students feel that if they don’t succeed quickly, they are a failure and may lose motivation to persist on difficult topics. She described how she explains the process to students like a journey – you will get to a better place than you are now and you will become more confident with time and practice. Fleming gives her students lots of encouragement throughout the semester.

Reese added that he consistently provides feedback to students throughout the semester and continually shows them examples of their success.

Q: What about students’ own biases? This comes up in teaching evaluations.

A: Fleming explained how she includes a discussion about implicit bias with her students at the beginning of the semester. She tries to make her class a positive, inclusive environment and asks that students do the same by honoring and respecting others’ opinions. She also discusses stereotypes of scientists and asks students not to evaluate her in that way.

Q: I find that most of the time, female students do not speak up. What can we do about this?

A: Reese responded that if working in groups,  a best practice is to ensure no group contains a minority of underrepresented minorities. For example, with groups of 3 there should be 0,2, or 3 woman in each group. He also suggested giving students multiple ways to participate, such as sharing questions through different modalities (email, chat, raising their hand to comment).

Q: Can we expand the time on assessments to accommodate everyone?

A: Reese replied yes, giving everyone more time will lower the pressure for everyone on that assessment. However, there are rules that still need to be followed. Reese suggested working with Student Disability Services if there are specific questions about accommodating students. Another option would be to allow students an alternative to a timed assessment.

Amy Brusini, Senior Instructional Designer
Center for Educational Resources

Image Source: Lunch and Learn Logo, Pixabay

 

Scaffolding for Successful Learning

The Innovative Instructor likes the concept of scaffolding. Not the architectural structure,Construction workers climbing a scaffold. but the support faculty can provide for students in the classroom. Two previous posts, Scaffolding Part 2: Build Your Students’ Notetaking Skills (March 29, 2017) and Scaffolding: Teach your students how to read a journal article (February 28, 2017) looked at ways in which instructors can give students a framework to improve their skills and help them succeed. In an article in the Chronicle of Higher Education, Traditional Teaching May Deepen Inequality. Can a Different Approach Fix It?  (Beckie Supiano, May 6, 2018) instructor Kelly A. Hogan asks, “Doesn’t everybody like some structure or guidance? Why do we treat learning as something different or special?”

Ten years ago, Hogan, now STEM-Teaching Associate Professor and Assistant Dean of Instructional Innovation at the University of North Carolina at Chapel Hill, was presented with data on students’ grades in her introductory level biology class and grasped the impact that inequities in K-12 education have. “About one in 14 white students earned a D or F in the course. About one in seven Latino/a students received those grades. For black students, it was one in three.” She was directly contributing to the leaky STEM pipeline—students who failed her course were unlikely to continue in a STEM field.

Faculty may recognize the racial gaps in education that first year college students bring to the classroom. They may see these as “inevitable inequities” revealing problems that are too vast for them, as instructors, to overcome. Hogan saw it differently. The gap was her problem and she became convinced that traditional undergraduate teaching—lectures, reading assignments, high-stakes assessments—was making it worse. Specifically, students whose high schools had not prepared them for college-level work were failing, not because they weren’t capable of doing that work, “…but because no one has taught them how to navigate the system.” That includes knowing how to take notes in lectures and on reading assignments, how to prepare for writing papers and taking tests, and how (and where) to ask for help when needed.

Hogan taught courses with 300 or more students and had a lot of student data, so she could see patterns and trends. And because she also ran study-skills workshops, she had strategies that would help students succeed. She now uses a pedagogical approach called inclusive teaching. “Inclusive teaching has two main components: putting more structure into a course, giving clear instructions so that all students know what to do before, during, and after class; and thoughtfully facilitating class discussion, so that everyone can participate.”

Hogan flipped her course so that students spend class time doing active learning exercises rather than listing to her lecture. She was explicit about her motives and how students would benefit. “She emphasized the habits of a successful student and focused on the importance of practice. She broke down the things students could do before, during, and after class to give themselves the best chances of performing well. Then she made those tasks mandatory, and a factor in students’ grades.” The article details some of the practices. Her course syllabus illustrates how she communicates these to her students.

Even in a class with a 300 plus enrollment, held in an auditorium designed for lecturing, Hogan has students working in assigned groups on projects. She moves around the room to oversee their work. Students use smart phones as classroom polling devices to answer questions, opening an opportunity for discussion. Hogan facilitates class discussions in ways to equalize participation.

The article goes on to detail how two of Hogan’s “converts” have implemented inclusive teaching in their own classrooms. Hogan runs workshops on inclusive teaching that include an unusual startup activity that clearly illustrates the educational inequity gap for incoming college students. At one workshop after completing the initial task, attendees turned to what might be done to remedy the problem. “Inequity, Hogan suggested, is not intractable. Even small changes in teaching can help counteract it. ‘Adding structure to the learning environment,’ Hogan said, ‘can mitigate unfairness, build feelings of inclusion, and promote student success.’”

Changing demographics mean that many students arrive at colleges and universities lacking high school preparation that used to be taken for granted. We can’t afford to shrug off responsibility for ensuring that all of our students can succeed. As Hogan points out, the impact on our society going forward is too great. Rather, instructors must consider how to level the field and provide guidance and scaffolding to support their students in successful learning.

Macie Hall, Senior Instructional Designer
Center for Educational Resources

Image Source: Pixabay.com

Texts of Engagement: Reading and Writing for Inclusivity in Any Discipline

[Guest post by Anne-Elizabeth Brodsky, Senior Lecturer, Expository Writing, JHU]

As part of the Lunch and Learn series, Karen Fleming (biophysics professor) and I gave presentations on fostering an inclusive classroom environment, summarized in the previous post.

In this follow up, I’ll offer some resources that seem to me versatile enough to use in different kinds of classrooms, and toward different ends. I’ve divided them into the categories below; the sources in the first three sections, in particular, can nearly all live quite comfortably in most disciplines.

What is college for?
Why bother with stories
How textual analysis works
Ideas for writing assignments

What is college for?

Cartoon rendering of an illuminated light bulb.Plenty of college students, from visibly diverse backgrounds and otherwise, feel mystified by the academy, at best —and overwhelmed by it, at worst. One way I try to help them find their footing is to engage them in examining university culture.

In my courses we use the sources below, and others, for informal “response writing.” I’m not using these sources to teach academic argument, although plenty of them have elegant arguments built into their narratives, and my students do notice that. I use them in hopes of activating their engagement and imagination about what their undergraduate experience will mean for them—to give them glimpses from the skybox.

Here’s a sampling:

Anna Deveare Smith raises the stakes of higher ed in her Chronicle interview “Are Students “Learning Anything About Love Here?’”

In “How to Live Wisely,”  Richard J. Light describes the Harvard course “Reflecting on Your Life.” Students explore: What does it mean to live a good life? What about a productive life? How about a happy life? How might I think about these ideas if the answers conflict with one another? And how do I use my time here at college to build on the answers to these tough questions?”

Mark Edmundson, first in his family to go to college, takes on undergraduate experience at research institutions in “Who Are You and What Are You Doing Here?”

“The Cosmos and You,” just a few paragraphs long, tells the story of an astronomy student who asks her professor the big question: “How do you keep from despairing at the immensity of space and the smallness of us?”

Julio M. Ottino and Gary Saul Morson write about empathy, engineering, and more in “Building a Bridge Between Engineering and the Humanities.”

Neil Koblitz advocates for clear, engaging storytelling in the sciences in “Why STEM Needs the Humanities.”

Lyell Asher’s essay “Low Definition in Higher Education” takes on Anna Karenina, safe spaces, and more: “Rightly understood, the campus beyond the classroom is the laboratory component of college itself. It’s where ideas and experience should meet and refine one another, where things should get more complicated, not less.”

Nicholas Lemann’s “The Case for a New Kind of Core” proposes “a methods-based, rather than a canon-based, curriculum,” with skills categories: information acquisition, cause & effect, interpretation, numeracy, perspective, language of form, thinking in time, and argument.

“The Astrophysicist Who Wants to Help Solve Baltimore’s Urban Blight” tells the story of a Hopkins professor and the Baltimore Housing Commissioner teaming up to tackle our vacant housing problem.

Finally, a dated but still very popular article among my students is Thomas Friedman’s “How to Get a Job at Google.” To a person, every student who has read this has been surprised. At JHU as at many other schools, it’s common for students to see college as a means to an end—professional school, a big job. Living in the future tense, focused almost entirely on the retroactive value of college they plan to enjoy after graduation, they default to a safe, well-worn path of coursework and GPA management. Friedman’s article, like many of those above, nudges them a bit on this.

Why bother with stories

Sea turtle rendered as a multi-colored mosaic.A central tenet of the Expository Writing Program at Hopkins is that our students engage in meaningful writing. Our students write to contribute to an ongoing intellectual conversation about a genuine problem or question. We expect students to think not only about their argument, based on the evidence at hand, but also about the implications of their argument.

Thus if I’m asking students (in my classes, mostly STEM majors) to enter a critical conversation about a short story, I have to be sure we are explicit about how it could possibly matter whether or not they make a compelling argument about a piece of fiction—you know, something that never really happened.

So, in class we ask the question: Why bother with stories? Here are some resources that have helped answer this:

Short fiction warrants a column in the New York Times op-ed pages in David Brooks’ “The Child in the Basement,” which nicely models a summary (of Ursula Le Guin’s “The Ones Who Walk Away from Omelas”) and then offers three socially relevant readings of the text.

Diaa Hadid’s interview with Mahlia Lone and Laaleen Sukhera, “2 Sisters in Pakistan Find They Have a Lot in Common with Jane Austen” illustrates connections between upper-class contemporary Pakistan and the England of Austen’s novels.

Two TED talks: The well-known “The Danger of a Single Story” by Chimamanda Ngozi Adichie and Raghava KK’s also wonderful 4½ -minute “Shake Up Your Story.”

Here’s an idea I haven’t tried yet: put Adichie’s talk next to John W. Krakauer and David Poeppel’s “Neuroscience Needs Behavior: Correcting a Reductionist Bias,” which is also about the “danger of a single story.”

Most recently: Lindy West writes in her op-ed “We Got Rid of Some Bad Men. Now Let’s Get Rid of Bad Movies”: “Art didn’t invent oppressive gender roles, racial stereotyping or rape culture, but it reflects, polishes and sells them back to us every moment of our waking lives.”

All of this depends on analysis, of course, and especially textual analysis…

How textual analysis works

Budding tree growing out of the center of an opened book.There are lots of ways to teach students how to do textual analysis (aka close reading). A few favorite resources:

“Twenty Titles: One Poem,” by poet Douglas Kearney, helps students see different interpretations (titles) of the same data (the sculpture).

Here, students analyze the poem “Since You Are Mortal” (Simonides) and then turn over the page to see how the translator, Danielle S. Allen, interprets it.

Danielle S. Allen, Our Declaration: A Reading of the Declaration of Independence in Defense of Equality (excerpts)

John Oliver, “Migrants and Refugees” (1:12-1:54)

NPR Code Switch Podcast: Camila Domonoske, “When ‘Miss’ Meant So Much More: How One Woman Fought Alabama — And Won”

Two more TED talks: John McWhorter’s “Txting is Killing Language. JK!!!” and Jean-Baptiste Michel and Erez Lieberman Aiden’s “What We Learned from 5 Million Books”

Ideas for writing assignments

Colored pencils arranged in a row.Again, just a quick sampling of texts that have worked well with first- and second-year students. My colleagues have loads of their own, as you likely do as well.

Summarizing an academic article:

Lin Bian et al, “Messages About Brilliance Undermine Women’s Interest in Educational and Professional Opportunities”

Samantha P. Fan et al, “The Exposure Advantage: Early Exposure to a Multilingual Environment Promotes Effective Communication”

Martha C. Nussbaum, “Teaching Patriotism: Love and Critical Freedom”

Finding an interpretive question in a text and reasoning through it:

James Baldwin, “Stranger in the Village”
Octavia Butler, “Bloodchild”
Ursula K. Le Guin, “She Unnames Them”
Toni Morrison, “Recitatif”
ZZ Packer, “Brownies”
David Sedaris, “Repeat After Me”
Alice Walker, “The Revenge of Hannah Kemhuff”
Patricia Williams, “The Emperor’s New Clothes”
EB White, “The Ring of Time” (the whole essay, including the section on Florida and segregation)

Entering a critical conversation about a text:

Build an argument about EB White’s “The Ring of Time” by responding to Craig Seligman’s review “Mr. Normal”

Build an argument about Octavia Butler’s “Bloodchild” by responding to the Butler’s comments in the Afterword about love and slavery

Build an argument about Toni Morrison’s “Recitatif” by responding to two of the following: Morrison’s prologue to Playing in the Dark; Elizabeth Abel’s “Black Writing, White Reading: Race and the Politics of Feminist Interpretation”; David Goldstein-Shirley’s “Race and Response: Toni Morison’s ‘Recitatif’”; and Danielle S. Allen’s prologue, chapter 1, and chapter 9 of Talking to Strangers: Anxieties of Citizenship Since Brown v. Board of Education.

 

Anne-Elizabeth Brodsky, PhD, has been teaching at Johns Hopkins since 2007 and co-chairs, with Professor Fleming, JHU’s Committee on the Status of Women.

Images source: Pixabay.com

Thinking about Accessibility Part 2

Four universal signs for disabilities: wheelchair access, hearing access, captioning, visual accession. Signs are white on blue background.Last week ‘s post summarized the first part of an important article by Anne-Marie Womack, Teaching Is Accommodation: Universally Designing Composition Classrooms and Syllabi, College Composition and Communication, February 2017. Womack, assistant director of writing at Tulane University, encourages instructors to rethink accommodation as normative rather than an exception to a rule.

The second part of the essay focuses on creating an accessible syllabus both in theory and in practice by “moving from syllabus as contract to syllabus as accommodation.” This can be accomplished in a number of ways, starting by not limiting the notion of accommodation to a paragraph stating the institutional disability policy. Syllabi are often heavy on text and present inflexible policies written in a punitive and/or defensive tone. Womack suggests instead that instructors strive to create accessible documents that engage students with “cooperative language” and flexibility in assignments. She does acknowledge that it is important to consider the particular student audience in designing a syllabus—one solution doesn’t fit all. Instead, she suggests three strategies.

The first strategy is Creating Accessible Document Design. Reducing the amount of text in your syllabus is the primary consideration. Womack starts with the boilerplate policies that may be required by the institution, school, or department. Such information may be reduced to basics, linked to, or included at the end in an appendix. Other information can be provided during the semester as it is needed, e.g., assignment specifics, writing prompts.

How the text is formatted can make a big difference—Womack suggests trading some text for accessible images. This will necessitate the creation of alternative text (alt text) to describe the image for those who use screen readers. She suggests that alt text be “focused on data, not extraneous visual details.” Since images can introduce color that may not be visible to all readers, there are guidelines for best practices. (I’ve included some resources for creating accessible images and documents at the end of this post.) Womack shows examples of how she converted her syllabus from text heavy to accessible by using images, blocks of text, bulleted lists, and icons, and increasing the amount of white space. Using a larger font size and a san serif font will also improve readability. Your goal is to “make the syllabus user-friendly” because you want your students to use it. Other tips include creating a table of contents for improved navigation, making internal hyperlinks to connect items within the syllabus, using headings to establish hierarchy, bolding text to emphasize key ideas.

The second strategy Womack advocates is Engaging Students with Cooperative Language. You want to convey “approachability and empathy” rather than making students feel uncomfortable requesting accommodations. Don’t focus on negative consequences and punitive rules. Instead look at inclusive practices in your syllabus as a means to engage student cooperation.

Womack suggests beginning with an “inclusive learning statement” and offers an example:

Your success in this class is important to me. We will all need accommodations because we all learn differently. If there are aspects of this course that prevent you from learning or that form barriers to your inclusion, please let me know as soon as possible. Together we’ll develop strategies that can enable you to succeed in the course.

I encourage you to visit the Office of Disability Services to determine how you could improve your learning as well. If you need official accommodations, you have a right to have these met. There is also a range of resources on campus, including the Writing Center, Tutoring Center, and Academic Advising Center. (Figure 5, p.513).

Further, she gives examples of positive versus punitive language, commands versus invitations, and cooperative versus paternalistic language.

The third strategy is labeled Empowering Students through Flexible Course Plans. Womack saw that “traditional accommodations, such as longer time and adaptable assessment, provide a starting point to improve course practices.” Citing a number of research studies, she states that students are more motivated to learn when they feel they have autonomy. Womack suggests ways in which instructors can give students control. She discusses allowing students flexibility in deadlines. Her approach combines student-set and instructor-set deadlines, which allows an extended time-frame but prevents students from falling behind. Low-stakes writing assignments and incremental assignments may also provide flexibility. Minimal grading for some of this work is recommended. Womack also examines building flexibility into grading distributions. She focuses on those which work well for her writing courses, including contract grading where a system of assessment is negotiated. While this aspect of flexibility may be more difficult to incorporate into large lecture courses, the point is that assessments and grading should be carefully considered. Allowing students to drop the lowest grade in a series of quizzes or homeworks is an easy means of allowing students flexibility and control in a larger class.

In concluding Womack reminds us that accommodation does not give disabled students an unfair advantage; “it is more likely all students have been given an unfair disadvantage through inaccessible pedagogy.” We should look at the “best versions of accommodation” as a way of teaching inclusively to a diverse audience and adapting in response to individual needs.

While Womack offers some good examples in her essay, there are some great resources with “how-to” guides available. Womack created a website at Tulane University on making an accessible syllabus that frequently cited, but alas, no longer “accessible.” However, you can view an archived image of the site here.

If you are someone who likes video tutorials, the University of Minnesota Accessible U has a series of video tutorials on creating an accessible syllabus and making accessible documents and accessible PDFs.

You will also want to check out the University of Colorado Boulder Universally Designed Syllabus Materials website “to employ best practices when creating a course syllabus.” Some of the material is UC system-specific, but much of the information is widely applicable.

Macie Hall, Senior Instructional Designer
Center for Educational Resources

Image Source: Pixabay.com

Thinking about Accessibility Part 1

Four universal signs for disabilities: wheelchair access, hearing access, captioning, visual accession. Signs are white on blue background.Often I read an article or blog post and suddenly find that I am falling down a rabbit hole. Hours, or even days, later I emerge, having uncovered a wealth of information and resources that have to be edited down in order to present a reasonably digestible overview of a topic for you readers. Such was the case with David Gooblar’s post Now is the Time to Think About Accessibility on his Chronicle Vitae Pedagogy Unbound blog (August 8, 2017). From the links in his article, I went on to discover other great material on accessibility to share—enough good stuff for two posts. This first post will cover thinking about accessibility in your classroom in general; next will be a follow-up post focused on creating an accessible syllabus and other documents for your class.

Gooblar starts off by noting that for many instructors, accessibility is given a brief mention at the end of the syllabus and then forgotten. Accessibility is seen as “an exception to the norm” and given little thought. He then notes an article by Anne-Marie Womack, assistant director of writing at Tulane University, which takes issue with that way of “conceptualizing accessibility.”

Teaching Is Accommodation: Universally Designing Composition Classrooms and Syllabi (College Composition and Communication, February 2017) by Anne-Marie Womack should be required reading for all higher ed instructors. [Note: if the link does not work, try copying and pasting this URL directly into your browser: http://www.ncte.org/library/NCTEFiles/Resources/Journals/CCC/0683-feb2017/CCCC0683Teaching.pdf.] It is an important document that asks us to rethink disability and academic accommodations. She starts by discussing “contemporary theories of disability to retheorize accommodation as the process of teaching itself.” Womack provides a history of disability law and American institutions of higher education, noting that students today must “pass substantial hurdles to qualify for accommodations” often at the risk of being stigmatized. Faculty, who may receive little institutional support, come to feel that they are the ones burdened by the process. Any resulting pedagogical changes are seen as affecting only the students with disabilities.

Womack argues that resistance to accommodation by university administration and faculty assumes that accommodations are an exception to a rule, to a best practice, or normal way of teaching. Womack states, “Ultimately, though, there is no normal, primary way of learning, only normalized methods made primary through frequent use. Material always changes as it moves from expert to novice. Every act of teaching is an accommodation because it creates certain conditions for students to learn and display learning.” Even though effective student learning means that the material is accessible, instructors have come to feel that “making material accessible to disabled students threatens academic rigor.”

Seen from another vantage point, inclusive teaching means eliminating barriers to learning, not eliminating intellectual challenges. Womack says, “Accommodation is the most basic act and art of teaching. It is not the exception we sometimes make in spite of learning, but rather the adaptations we continually make to promote learning.” She advocates accommodation of disabled students within a universal design framework.

Universal Design is the design and composition of an environment so that it can be accessed, understood and used to the greatest extent possible by all people regardless of their age, size, ability or disability.” Universal design is good for everyone. In your classroom, Womack suggests, for example, considering guidelines for dyslexic and blind readers, working under the assumption that by creating documents that more students can read, more students will read. She warns, however, that universal design must be used as a process, not to negate the need for accommodations, but to start to negotiate the means to accessibility for all.

In my next post I will look at the second part of Womack’s article, which provides suggestions for creating accessible documents, engaging students by using “cooperative language” and building flexibility into your course to empower students. “If instructors see the syllabus through the lens of disability, then the question becomes not how policies protect a normative standard but how far they extend inclusion.”

Macie Hall, Senior Instructional Designer
Center for Educational Resources

Image Source: Pixabay.com

Case Studies for an Inclusive STEM Classroom

As part of our work on the TILE – Toolkit for Inclusive Learning Environments – project (see previous post) my colleagues and I have been uncovering some great resources for fostering diversity and inclusion in the classroom.  I am always on the lookout for sources for case studies (see Quick Tips: Using Case Studies) and the Gendered Innovations project covers both bases.

Screenshot of the Gendered Innovations science case studies web page.

Gendered Innovations is a peer-reviewed project developed by Londa Schiebinger at Stanford University.  “Londa Schiebinger is the John L. Hinds Professor of History of Science in the History Department at Stanford University and Director of the EU/US Gendered Innovations in Science, Health & Medicine, Engineering, and Environment Project. Over the past twenty years, Schiebinger’s work has been devoted to teasing apart three analytically distinct but interlocking pieces of the gender and science puzzle: the history of women’s participation in science; the structure of scientific institutions; and the gendering of human knowledge.” [http://web.stanford.edu/dept/HPS/schiebinger.html]

From the Gendered Innovations website we learn that research has shown that sex and gendered bias is counterproductive and costly.  It can result in human suffering and death in the case of drugs developed and released without proper testing on women, and leads to “missed market opportunities” when products don’t consider shorter people – women and men. For research, failing to recognize gender differences may yield faulty results. The goal of the Gendered Innovations project is to provide scientists and engineers with practical methods for sex and gender analysis.

As a means to that end, there are a number of case studies provided for science, health and medicine, engineering, and the environment. These include extensive bibliographies. There is also a wealth of information on the website that provides a framework for thinking and teaching differently in your classroom.

Macie Hall, Senior Instructional Designer, Center for Educational Resources

Image Source: Screenshot of the Gendered  Innovations science case studies web page – http://genderedinnovations.stanford.edu/case-studies-science.html